Let It Go (from Frozen): Jazz Ensemble Conductor Score & Parts

Rick Stitzel's arrangement captures the defiant energy and emotional arc of the original without overwhelming a Grade 2 ensemble. The writing sits comfortably in the jazz idiom while keeping the melody front and center, so your students can feel the power of the tune rather than struggle with voicings above their technical level.

The arrangement builds from quiet determination into a soaring declaration of independence. There's a contemporary smoothness to the harmonic language, but underneath it runs the kind of straightforward melodic power that makes the original so memorable. Students will feel like they're playing something modern and relevant, not a dusty standard.

Jazz ensembles at the beginning to intermediate level who want accessible material with genuine emotional substance. This works equally well for a concert performance or as a crowd-pleasing addition to a pop or show-themed program.

• Balance the soloists against the full ensemble; this song thrives on contrast between intimate moments and the big, propulsive hits.
• Pay attention to the dynamic shape within phrases rather than treating sections as uniform blocks. The character shifts from resignation to liberation, and your tempo and energy need to track that journey.
• Lock the rhythm section early in rehearsals. Once the drums and bass establish the pocket, the winds and brass will sit much more naturally into the swing feel.

Include this in a spring concert celebrating film and musical theater music, pairing it with other accessible pop or Disney selections to draw an engaged audience. It also works well as a finale or closer, since the emotional build gives your ensemble a satisfying moment to shine.

• Swing rhythms and feel in a contemporary context
• Balancing melody and accompaniment within jazz textures
• Phrasing and dynamic shaping to support harmonic and emotional progressions
• Navigating simple jazz voicings and comping patterns