Let It Go (from Frozen): String Orchestra Conductor Score & Parts
As performed by Robert Lopez / As performed by Kristen Anderson-Lopez / As performed by Idina Menzel / Arranged by Robert Longfield
Grade: 3-4
Item: 35-PK00383135
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Let It Go (from Frozen) - Conductor Score (Full Score) | $7.50 | |
| Let It Go (from Frozen) - Violin 1 | $7.00 | |
| Let It Go (from Frozen) - Violin 2 | $7.00 | |
| Let It Go (from Frozen) - Viola | $7.00 | |
| Let It Go (from Frozen) - Cello | $7.00 |
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Description
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More about this title
About the Artist: Robert Lopez
Robert Lopez has become one of the most celebrated songwriters in contemporary musical theater and film. His work on Disney's Frozen earned him an Academy Award for Best Original Song, cementing his ability to craft melodies that resonate across generations. Lopez's gift for writing singable, emotionally direct music makes his work exceptionally valuable in educational settings where accessibility and student engagement are priorities.
Beyond Frozen, Lopez has composed for The Book of Mormon, Avenue Q, and Coco, demonstrating range across comedy, drama, and animation. His arrangements and original compositions consistently honor the emotional core of a story while remaining performable by student musicians.
Why we love this
Longfield's orchestration captures every hook from the original while remaining genuinely playable at the Grade 3-4 level. This is the rare film arrangement where students recognize the song immediately, feel invested in its emotional arc, and emerge from rehearsals with tangible technical progress rather than just having played through a recognizable tune.
What to expect
From the first vulnerable notes through the building release of the chorus, this arrangement mirrors Elsa's emotional journey. You'll feel the tension in the quiet passages and the exhilaration of the orchestral swell, making it as rewarding to conduct as it is to play.
Who it's for
String orchestras at the intermediate level who need a crowd-pleasing, emotionally satisfying concert piece that doesn't sacrifice musical substance. This works equally well for school concerts, pops programs, or any setting where you want student musicians and audiences to connect.
How to get the most out of it
- Keep the opening piano/harp texture transparent and unhurried. This is Elsa's moment of realization, not a race. Let the silence and space speak.
- Balance the melody line across your string section so no single voice dominates during the verse. The song gains power through collective sound, not one standout player.
- Shape the dynamic rise into the chorus deliberately. Resist the urge to jump to forte immediately; let the swell feel earned and inevitable.
- Pay attention to vibrato control in the sustained whole notes. Students often default to constant vibrato when the score asks for restraint; this creates the vulnerable quality the song needs before the final surge.
How to use it
Pair this with other film or Disney arrangements to create a thematic segment, or use it as a concert closer where the ensemble's collective confidence and the audience's familiarity with the melody create a shared moment. It's also ideal for mid-year performances when players have enough technical foundation to handle the stylistic nuance but still benefit from the motivational boost a recognizable song provides.
Skills your students will build
- Dynamic shaping across longer phrases
- Balancing melody and accompaniment textures
- Sustaining tone through whole notes and half notes at various dynamic levels
- Responding to conducting gestures that shape emotional arc rather than simply marking time
- Coordination of multiple string lines moving at different rhythmic rates