Let It Go (from Frozen): Marching Band Conductor Score & Parts
As performed by Idina Menzel / Arranged by Paul Murtha
Grade: 2
Item: 35-PK00287204
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About the Artist: Idina Menzel
Idina Menzel rose to prominence as Elphaba in the original Broadway production of Wicked, where her powerful belt and emotional range became her signature. Her performance as Elsa in Disney's Frozen introduced her artistry to a global audience, with "Let It Go" becoming one of the most recognized film songs of the past decade.
Why we love this
Paul Murtha's arrangement captures the song's defining character without losing the emotional core that makes it resonate with audiences. The Grade 2 setting means your band can own this iconic moment without requiring advanced technique, freeing musicians to focus on the expressive qualities that make the tune work. It's a repertoire choice that validates popular music in concert settings while giving students a piece they already know and care about.
What to expect
The arrangement walks the line between accessible and emotionally mature. You get the driving rhythmic energy that defines marching band while staying true to the song's vulnerable, introspective core. It's modern without feeling thin, and familiar without being precious.
Who it's for
Marching bands working at Grade 2 level who want to program contemporary repertoire with immediate appeal to students and audiences alike. It works for bands building confidence in concert settings or seeking a bridge between traditional marching band fare and the music that resonates with their performers' lives.
How to get the most out of it
- Balance the melody line across your woodwinds and brass so no single voice dominates. The tune's strength comes from unified expression, not individual prominence.
- Lean into the rhythmic pulse that drives the arrangement. Keep the tempo steady and let the percussion section anchor the forward momentum without pushing.
- Shape the dynamic arc intentionally. Build through the verses and allow the climax to breathe before pulling back for any final section, letting silence and space become part of the storytelling.
- Work the transitions between sections carefully in rehearsal. Small phrase breaks and breath points will help the arrangement feel less like a series of sections and more like one continuous emotional journey.
How to use it
Consider this for a winter or spring concert where you want to shift the emotional temperature of the program. It pairs well with traditional marches and classical selections, offering a contemporary moment that engages student performers and audience members who might not otherwise connect with concert band repertoire.
Skills your students will build
- Balancing melody and accompaniment across multiple instrumental families
- Sustaining emotional intent through lyrical passages
- Maintaining consistent pulse within a pop-influenced rhythmic framework
- Shaping dynamics across a full ensemble to support narrative arc