Let All Things Now Living, Volume 2: Early Advanced Piano Book

Wyrtzen respects the melodic integrity of these beloved hymns while treating them as springboards for genuine musical exploration. Each arrangement feels purposeful rather than decorative; the harmonic language and rhythmic vitality serve the text without overwhelming it, making these pieces equally satisfying in a recital hall or during a church service.

These arrangements wrap familiar hymn melodies in harmonic color and rhythmic sophistication without losing their essential character. There's a sense of reverence tempered with genuine musicianship, where each piece feels both grounded in tradition and alive with compositional craft.

Advanced high school pianists preparing for competition or recital, college-level students exploring sacred repertoire, and adult church musicians seeking fresh yet respectful interpretations of hymn standards. This collection works for anyone who values musical substance alongside spiritual meaning.

• Pay close attention to the harmonic shifts. Wyrtzen's chord choices often arrive unexpectedly; let them breathe rather than rushing through transitions.
• Experiment with the recorded accompaniment to hear how the arrangements sit musically, then practice finding your own interpretive balance between support and independence.
• Notice where rhythmic displacement occurs. These moments require careful counting and steady pulse work to avoid sounding rushed or tentative.
• Consider the acoustics of where you'll perform. Church spaces will sustain resonance differently than a practice room, so adjust your pedal work accordingly.

Slot individual selections into recital programs to demonstrate range and versatility, particularly when programming sacred or contemporary classical contexts. They work beautifully as part of a church music series or as standalone offerings during special services where quality solo music enhances the liturgy.

• Voice leading through chromatic harmonic progressions
• Rhythmic independence between hands (displaced rhythms and cross-rhythmic patterns)
• Sustaining melodic lines while managing complex accompaniment textures
• Interpretive choice in hymn arrangements that balance fidelity to tradition with artistic expression
• Pedal technique across varying harmonic densities and church acoustic spaces