Let All the World in Every Corner Sing Cover Image

Let All the World in Every Corner Sing: Choral Octavo SoundTrax CD

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Let All the World in Every Corner Sing Cover Image

Let All the World in Every Corner Sing: Choral Octavo SoundTrax CD

Music by Sally K. Albrecht

Item: 00-21167

$27.99
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Description
This powerful concert work opens with a fanfare-like introduction, then builds with repetitive rhythms and strong harmonies. Features an "add-on" section beginning with one voice part followed by the others, each adding its own melody in turn. Solid part writing make it appealing for any age group. Ideal as a "music" number in any concert; effective as a concert opener or closer.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081200880
SKU: 00-21167

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and before that at other major educational publishers. Her catalogue includes more than 600 choral works and 75 larger theatrical pieces, all while maintaining an active schedule as a conductor and clinician at festivals nationwide, including appearances at Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has received the ASCAP Special Music Award annually in recognition of her contributions to the field.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna Awards. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for accessible yet sophisticated part writing shines here. The additive structure (one voice entering at a time with its own melody) creates genuine musical interest without overwhelming singers or audiences, and the strong harmonic foundation holds everything together. This is the kind of piece that feels impressive to perform without requiring an advanced ensemble.

What to expect

Energy and proclamation fill the opening, then the piece unfolds with a cumulative, building quality as voices layer in. By the close, the repetitive rhythmic drive and rich harmonies create a sense of celebration and affirmation, the kind of moment that feels both joyful and substantial.

Who it's for

Any choir from high school through adult ensembles will find secure footing here. The solid part writing accommodates mixed abilities and mixed ages, making it equally at home in a school concert setting or a community chorus performance.

How to get the most out of it

  • Shape the opening fanfare with clear articulation and dynamic lift; treat it as your introduction to the concert, not merely a prelude to what follows.
  • In the add-on section, help each voice part hear how its own melody relates to those already singing. Rehearse in layers, locking each part in before adding the next.
  • Let the repetitive rhythms work for you by maintaining consistent pulse and ensemble precision. Rhythmic security unlocks the power of the harmonies.
  • Use the recorded accompaniment to verify balance and voicing, especially in the thicker harmonic sections where blend becomes critical.

How to use it

Open your concert with this; its fanfare character and ascending energy command attention immediately. Alternatively, place it as a closer to leave audiences with a sense of triumph and unity. Its sacred text works naturally within Easter or Ascension programming, but the uplifting musical character serves many concert themes.

Skills your students will build

  • Layered voice entry and balance (hearing one's part against independent melodic lines)
  • Harmonic awareness and blend in thick, repetitive textures
  • Rhythmic precision and ensemble pulse maintenance
  • Sustained singing with proper support through longer phrases

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