Lessons in Performance Book 1, Journey Through North America - Piano Accompaniment Cover Image

Lessons in Performance Book 1, Journey Through North America - Piano Accompaniment: Piano Accompaniment Book

$4.50 USD
Sale price  $4.50 USD Regular price 
Skip to product information
Lessons in Performance Book 1, Journey Through North America - Piano Accompaniment Cover Image

Lessons in Performance Book 1, Journey Through North America - Piano Accompaniment: Piano Accompaniment Book

By Jason Barrera, David Shaffer / arr. Brenda Mitchell

Item: 98-SB302PIA

$4.50
Shipped

One moment…

Description
FJH is pleased to introduce Lessons in Performance for Beginning and Developing Strings, Book 1: Journey Through North America. Featuring 15 pieces with full score analyses, techniques for conducting and teaching, background information and supplemental exercises, Lessons in Performance bridges the gap between rehearsal and concert halls. Also ideal for cross-curricular teaching, all supplemental materials incorporate the National Standards. In addition, this publication provides a perfect theme for summer string camps. You are sure to find multiple uses for this outstanding educational publication!

Lessons in Performance Book 1, Journey Through North America - Piano Accompaniment: Piano Accompaniment Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: String Supplemental Material
Publisher: The FJH Music Company, Inc.
UPC: 674398215638
SKU: 98-SB302PIA

More about this title

Why we love this

The piano accompaniment book transforms what could be a standard method book into something genuinely engaging for young string players. These fifteen pieces explore North American themes with musical substance, not just simplicity, so students feel like they're performing real music rather than exercises. Having the accompaniment in a separate book means your pianists can participate fully in rehearsals without page-turning chaos or awkward score reading.

What to expect

These pieces invite students into the geography and culture of North America with music that feels accessible without being condescending. There's enough musical substance here to keep advanced students engaged while supporting those still building foundational skills.

Who it's for

String orchestra directors working with beginning and developing players who need repertoire that teaches while it entertains. The accompaniment book is equally valuable for pianists in those rehearsals, giving them an active musical role rather than page-turning duty.

How to get the most out of it

  • Balance the string sound against the piano by having your accompanist play with restraint in early rehearsals; they should enhance, not overshadow, the melodic lines.
  • Work through the full score analyses provided in the conductor's edition before rehearsals so you can highlight the compositional choices students might otherwise miss.
  • Let your pianist lead ensemble entries during early run-throughs, especially in pieces where rhythmic clarity matters; this helps younger string players find their place without conductor cueing.

How to use it

Build a thematic concert around these pieces, pairing them with other North American repertoire for a cohesive program your audience remembers. Many directors use this book across the school year, rotating through pieces during method book instruction so students always have something concert-ready in their folders. The supplemental materials also work beautifully for classroom music units, making this ideal for interdisciplinary teaching.

Skills your students will build

  • Reading and playing through varied keys and time signatures
  • Responding to piano-based ensemble cues and entries
  • Sustaining longer melodic phrases with proper bow control
  • Playing by ear from background information about each piece's origin
  • Coordinating as a unified ensemble with non-string accompaniment

You May Also Like