Lessons in Performance Book 1, Around the World - Bass Clarinet Cover Image

Lessons in Performance Book 1, Around the World - Bass Clarinet: Bass Clarinet Method Book

$4.50 USD
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Lessons in Performance Book 1, Around the World - Bass Clarinet Cover Image

Lessons in Performance Book 1, Around the World - Bass Clarinet: Bass Clarinet Method Book

By Deborah A. Sheldon, Robert Sheldon

Item: 98-BB205BCL

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Description
Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance

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Additional Details
Series: Lessons in Performance
Publisher: The FJH Music Company, Inc.
UPC: 674398213078
SKU: 98-BB205BCL

More about this title

About the Composer: Deborah A. Sheldon

Deborah A. Sheldon is a composer and educator who has built a career writing accessible concert band and method book repertoire for developing musicians. Her work with co-composer Robert Sheldon in the Lessons in Performance series demonstrates a commitment to pairing musical growth with cultural exploration, crafting pieces that engage students while building technical and stylistic competence.

Why we love this

This collection gives bass clarinet students a genuine solo voice throughout the book rather than relegating them to harmonic filler. The geographic journey through folk traditions, dances, and ceremonial music means students play material that sounds complete and musical, not like exercises, which builds ownership of the instrument and genuine musicianship from day one.

What to expect

You're traveling the world one folk melody at a time. From a solemn march to a quirky chicken dance, from Irish ballades to Scandinavian tales, the musical landscape shifts with each piece while the bass clarinet steps into the melodic spotlight. The writing honors the character of each tradition while keeping the technical demands manageable enough to focus on style and storytelling.

Who it's for

This method book is designed for intermediate bass clarinet students in concert band settings who are ready for repertoire that sounds musical and culturally engaging rather than purely technical. It works well for students in grades 5-8 who have solid fundamental tone production and are developing independence as solo melodic voices within an ensemble.

How to get the most out of it

  • Study the folk melodies before playing them. Many of these pieces draw from recognizable world traditions; understanding the cultural context and listening to authentic recordings will shape how you voice articulation and phrasing.
  • Balance the low register with projection. Bass clarinet can disappear in the mix if you underestimate dynamic markings; treat every forte and mezzo-forte as an opportunity to sing through the instrument's fullest voice.
  • Anchor rhythmic precision in slower, lyrical pieces like "An Irish Ballade." When the melody sits in a sparse harmonic texture, your rhythmic clarity becomes audible; this is where solid fundamentals show.
  • Shape dance rhythms with rhythmic vitality. Pieces like "The Chicken Dance" and "Wallaby Walkabout" depend on rhythmic clarity and forward motion; let the character of the music inform your articulation choices.

How to use it

Use this collection to build a concert themed around world music and cultural traditions, or integrate individual pieces throughout the year as cultural units align with your curriculum. Several pieces (particularly the shorter dances and marches) work as engaging concert openers, while others like "An Irish Ballade" function as contrasting, lyrical moments that showcase bass clarinet's singing quality.

Skills your students will build

  • Melodic independence and solo voice projection within ensemble texture
  • Articulation and phrasing across stylistically diverse repertoire
  • Reading and performing folk melodies from multiple cultural traditions
  • Rhythmic precision in both sustained and dance-like passages
  • Dynamic control and tonal color variation across the full range of the instrument

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