Les Petits Riens: Ballet, K.Anh. 10/K. 299b (complete ballet) Cover Image

Les Petits Riens: Ballet, K.Anh. 10/K. 299b (complete ballet): Full Orchestra, Conductor Score

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Les Petits Riens: Ballet, K.Anh. 10/K. 299b (complete ballet) Cover Image

Les Petits Riens: Ballet, K.Anh. 10/K. 299b (complete ballet): Full Orchestra, Conductor Score

By Wolfgang Amadeus Mozart, ed./arr. by Victor Wilder

Item: 36-A184401

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Description
LES PETITS RIENS, K.Anh. 10/K. 299b is a ballet in one act and three tableaux by French choreographer Jean-Georges Noverre, set to music by Wolfgang Amadeus Mozart (1756-1791). It was originally performed as an interlude for Niccolo Piccini's opera LE FINTE GEMELLE. The premiere took place at the Academie Royale de Music in Paris on June 11, 1778. It received only five more performances, and to make matters worse, Noverre forgot to compensate him. The score, for a long time considered lost, was rediscovered in the archives of the Paris Opera in the late 19th century. This Kalmus edition was edited by Victor Wilder as part of the Mozarts Werke series. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3).

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Additional Details
Series: Kalmus Ballet Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563428-4
ISBN13: 979-889-563-4288
UPC: 612735572778
SKU: 36-A184401
Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3)

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose prolific output spanned every major genre of his time. He wrote over 600 works including symphonies, concertos, operas, chamber music, and sacred music, many of which remain cornerstones of the orchestral and operatic repertoire. His instrumental writing combined formal clarity with harmonic sophistication and melodic invention that influenced composers for generations.

Mozart's ballet music, though less frequently performed than his operas and symphonies, demonstrates his gift for orchestration and dramatic pacing. Les Petits Riens, written during his Paris sojourn in 1778, showcases the elegant, lighter aesthetic he brought to theatrical music while maintaining the structural integrity expected of concert works.

Why we love this

This is one of Mozart's least-known orchestral works, which means programming it offers your audience something genuinely fresh rather than the hundredth performance of Eine kleine Nachtmusik. The score reveals Mozart at his most economical and graceful, with clean orchestration that works beautifully even when you're short on players, and the three-tableau structure gives conductors natural pacing and variety within a manageable timeframe.

What to expect

Les Petits Riens carries the courtly elegance and refined humor typical of French ballet divertissements, with Mozart's trademark melodic charm woven through elegant but unpretentious orchestration. The three tableaux unfold with dramatic simplicity and a light touch, creating an atmosphere of theatrical grace rather than spectacle.

Who it's for

This conductor score serves orchestras of intermediate to advanced level that want to explore Mozart beyond the standard symphonic repertoire. It suits programs where you need substantial ballet music with a manageable instrumentation, and it's particularly valuable for conductors introducing their ensembles to the conventions of 18th-century theatrical music.

How to get the most out of it

  • Shape the melodic lines with forward motion even in slower sections; Mozart's transparency demands clarity without heaviness, and inattentive phrasing will expose empty space.
  • Balance the woodwind pairs carefully so neither oboes nor flutes dominate, especially in passages where both are carrying similar material across registers.
  • Keep the string writing light and articulate in the brighter sections; a thick, romantic approach will bury the score's delicate orchestration and period character.
  • Use the timpani sparingly and precisely to mark structural points rather than as continuous rhythmic reinforcement.

How to use it

This ballet score works well as a centerpiece on a Mozart-focused concert, or as a sophisticated lighter work between heavier symphonic pieces. Its manageable length and accessible brilliance also make it suitable for open rehearsals or educational concert series where you want to showcase orchestration and formal clarity.

Skills your students will build

  • Balancing transparent orchestration with period-appropriate articulation
  • Conducting sectional coordination across winds and strings in Classical textures
  • Shaping dance-derived rhythmic phrasing with structural awareness
  • Interpreting moderate tempos with direction and forward momentum

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