Les Patineurs Valse (The Skaters' Waltz), Op. 183 Cover Image

Les Patineurs Valse (The Skaters' Waltz), Op. 183: Full Orchestra, Conductor Score & Parts

$110.00 USD
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Les Patineurs Valse (The Skaters' Waltz), Op. 183 Cover Image

Les Patineurs Valse (The Skaters' Waltz), Op. 183: Full Orchestra, Conductor Score & Parts

By Emil Waldteufel

Item: 36-A942090

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Description
Les Patineurs Valse (The Skaters' Waltz), Op. 183, was composed in 1882 by Émile Waldteufel (1837-1915), drawing inspiration from the ice skating rink at the Bois de Boulogne in Paris. With its rapid melodic runs and the cheerful jingle of sleigh bells, the waltz vividly evokes a festive winter scene. It has remained enduringly popular and continues to be featured in numerous films and other media. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition. Transposed clarinet and trumpet parts included. In the key of A. (7:00)

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735878887
SKU: 36-A942090
Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Emil Waldteufel

Emil Waldteufel (1837, 1915) was an Alsatian composer and conductor who dominated the Parisian waltz scene during the Second Empire and Belle Époque. His gift for orchestration and melodic invention earned him the title "King of the Waltz" among his contemporaries, and he composed over 300 works across opera, ballet, and orchestral music. Waldteufel's waltzes remain staples of the concert hall and ballet theater, valued for their elegant harmonic language and their balance of sophistication with accessibility.

Why we love this

Waldteufel's orchestration crackles with color and energy. The sleigh bells and rapid figuration in the strings create an unmistakable winter landscape without ever feeling saccharine, and the piece gives every section something genuinely engaging to play. For contest and festival programming, it offers a refreshing alternative to the standard Viennese waltz repertoire while maintaining the elegance your audience expects.

What to expect

The music sparkles. From the opening flourish through the cascading string runs and jingling bells, every moment captures the joy and movement of a Paris winter. There's an infectious lightness here, yet the orchestration is sophisticated enough to reward close listening and careful execution.

Who it's for

Orchestras looking for a showpiece that demonstrates technical facility and orchestral color. The work suits both youth orchestras with strong players and professional or semi-professional ensembles seeking repertoire that delights audiences without sacrificing musical substance.

How to get the most out of it

  • The rapid melodic runs in the upper strings demand precision; mark these passages in rehearsal and drill them as you would passagework in a classical concerto. The effect relies on clarity, not speed.
  • Balance the sleigh bell effects carefully so they punctuate the texture without overwhelming the melody. Two or three players handling the bells (rather than one) helps distribute the sound naturally.
  • Keep the waltz lilt conversational rather than heavy. A conductor who maintains a light, lifted beat will find the orchestra breathes more easily and the tempo stays buoyant without rushing.
  • The brass section carries significant melodic material in the B section. Make sure horns and trumpets voice these lines with warmth and projection so they read clearly against the full string section.

How to use it

Place this in the second half of a concert to lift energy and reset the room after a heavier work. It pairs naturally with other nineteenth-century salon music and light classical works, and its seven-minute runtime makes it ideal for balancing a program that includes longer symphonic works.

Skills your students will build

  • Executing rapid passagework with clarity and precision
  • Balancing intricate melodic lines across multiple instrumental groups
  • Maintaining buoyant rhythmic lift in triple meter
  • Coordinating percussion effects with orchestral texture
  • Reading and performing transposed clarinet and trumpet parts

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