Les Miserables (Choral Medley) (Ed Lojeski): Choral Instrumental Pak
As performed by Boublil and Schonberg / Arranged by Ed Lojeski
Item: 35-PK00130991
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About the Artist: Boublil and Schonberg
Claude-Michel Schönberg composed the music for Les Misérables with an ear for sweeping melodies that carry emotional weight across entire scenes. Alain Boublil wrote lyrics (in French, later adapted to English) that distill Hugo's novel into moments of profound human drama. Together, they created one of musical theater's most enduring works, first premiered in Paris in 1980 and adapted for Broadway in 1987, where it became a cultural phenomenon that remains relevant in music education today.
Their approach to songwriting balances accessibility with artistic ambition. Melodies sit comfortably for singers while harmonies and orchestrations reward careful listening. For educators, their work offers rich material for teaching how popular music can carry serious thematic content without sacrificing singability or theatrical impact.
Why we love this
Ed Lojeski's medley distills the musical's emotional arc into a single, cohesive performance that works as both a concert feature and a gateway into longer musical theater study. The 15-minute duration fits rehearsal schedules and concert programs without demanding the full two-hour commitment, yet it captures enough of the score's character that audiences hear why this show matters. Choirs get to tackle recognizable material that audiences genuinely want to hear, which builds concert attendance and student investment in rehearsals.
What to expect
This medley carries the sweep and yearning of the original score. You move between moments of quiet introspection and surges of ensemble power, with melodies that feel both urgent and inevitable. The arc builds toward moments of genuine catharsis, reminding singers and listeners why this music has endured across decades and cultures.
Who it's for
Choirs seeking substantial repertoire that resonates with both singers and audiences, including both traditional concert settings and community events where musical theater carries broad appeal. Directors who want to introduce students to Broadway composition and orchestration without committing an entire season to a full musical staging.
How to get the most out of it
- Balance the ensemble sound in ensemble passages by asking singers to listen across sections rather than projecting forward. This medley works best when the group breathes as one unit.
- Mark tempo changes clearly in early rehearsals, since the medley likely shifts between several of the score's iconic songs. Sectionals focused on transition points pay dividends.
- Let the accompaniment track establish the style and orchestration; singers should lean into the emotional content rather than oversinging, particularly in softer moments.
How to use it
Feature this as a centerpiece in a spring concert, pairing it with other substantial choral works to create a program that balances classical repertoire with contemporary musical theater. It also serves well as a winter concert finale, where its emotional scope and audience recognition create a strong closing statement. Consider performing it alongside shorter Broadway selections to demonstrate how the genre has evolved and how skilled arrangers shape memorable material for ensemble performance.
Skills your students will build
- Interpreting theatrical text and emotional content in a concert setting
- Navigating multiple tempo changes and style shifts within a single piece
- Balancing individual voice with ensemble blend across longer musical phrases
- Sustaining focus and energy through a 15-minute medley without section breaks
- Working with recorded accompaniment and following a professional orchestral mix