Leroy Anderson’s Irish Suite, Selections from: 2nd B-flat Clarinet
Setting by Leroy Anderson / arr. Douglas E. Wagner
Grade: 2 (Easy)
Item: 00-PC-0015768_C2
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Leroy Anderson’s Irish Suite, Selections from: 2nd B-flat Clarinet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Leroy Anderson
Leroy Anderson (1908-1975) stands as the most performed light concert composer in American history. His gift for orchestration and melodic invention transformed popular songs, folk tunes, and original themes into works of genuine sophistication, proving that accessibility and artistry are not mutually exclusive. Anderson's catalog includes over 100 published compositions, many of which have become staples in school and professional band programs worldwide.
Why we love this
This selection captures everything that makes Anderson's writing so teachable: clear orchestrations, predictable yet delightful harmonic progressions, and melodies that stick with players long after rehearsal ends. Grade 2 bands gain experience with character and color without drowning in technical demands, and audiences leave the concert humming. The Irish folk foundation gives the work cultural authenticity while Anderson's arrangements ensure every section has something memorable to play.
What to expect
Warm, spirited, and gently nostalgic. The Irish folk roots give the music an earthy charm, while Anderson's inventive orchestrations add sparkle and wit. You'll hear moments of gentle whimsy alongside passages of genuine lyrical beauty, all woven together with the craftsmanship of a composer who understood exactly how to make a band sound its best.
Who it's for
This is ideal for Grade 2 concert bands seeking repertoire that entertains without compromising musicianship. Young players build confidence playing recognizable melodies and experience authentic light concert style; conductors find a piece that programs well, requires no soloists, and holds the attention of audiences from middle school to senior adult listeners.
How to get the most out of it
- Keep the tempo steady and resist the urge to rush through the lighter sections; Anderson's humor lands best when the ensemble maintains rhythmic control and allows space for each melody to breathe
- Balance the inner voices carefully, especially when woodwinds double brass lines, so that themes remain audible and the orchestration doesn't muddy
- Mark dynamic changes in parts well in advance, since this medley moves between moods quickly and conductors rely on clear, consistent cueing
- Work the articulations early; the difference between a tap-tongued line and a legato phrase often defines whether a passage sounds folksy or mechanical
How to use it
Place this as a lighter moment in a concert that includes more substantial works, or build an entire program around Anderson's catalog if your band responds well to light concert style. It works especially well in spring concerts or community events where the goal is musical enjoyment alongside technical growth. The medley format also makes it accessible for festival competitions where judges value both execution and programming intelligence.
Skills your students will build
- Balanced articulation within legato and staccato contexts
- Dynamic shaping in folk-derived melodies
- Coordination of multiple melodic lines and countermelodies across sections
- Sight-reading of common light concert idioms and orchestration patterns
- Ensemble intonation in open voicings typical of band scoring