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Leroy Anderson for Strings: Cello Book

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Leroy Anderson for Strings Cover Image

Leroy Anderson for Strings: Cello Book

For String Quartet or String Orchestra

Arr. William Zinn

Item: 00-EL03454

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Description
Presenting a collection of 15 all-time Anderson favorites arranged for string quartet or string orchestra. Complete works, not excerpts, these unique arrangements can be used by school or professional groups as concert pieces or as encores. Contents are: Belle of the Ball * Blue Tango * Fiddle-Faddle * Forgotten Dreams * Horse and Buggy * Jazz Legato * Jazz Pizzicato * Plink Plank Plunk * Sandpaper Ballet * Serenata * Sleigh Ride * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat.

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Additional Details
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7692-5960-X
ISBN13: 978-0-7692-5960-4
UPC: 029156132908
SKU: 00-EL03454
Instrumentation: Cello

More about this title

About the Arranger: William Zinn

William Zinn has built a reputation as a skilled orchestral arranger with a particular gift for adapting American light classics for student and community ensembles. His arrangements prioritize clarity and musicality while respecting the original compositional intent, making him a trusted voice in string education circles.

Why we love this

Anderson's catalog is a goldmine for concerts that need both sophistication and immediate audience appeal, and Zinn's arrangements capture that magic without requiring virtuoso soloists. Fifteen complete works give you genuine programming flexibility, whether you're building a full concert or pulling standout encores that reliably land. These arrangements sit in a sweet spot: technically accessible for developing ensembles but musically substantial enough to satisfy experienced players and discerning audiences.

What to expect

Bright and witty, with moments of genuine lyrical warmth. These arrangements capture Anderson's signature blend of sophistication and accessibility; you get the pleasures of sophisticated light music without the barrier of difficulty. The cello writing sits comfortably in the ensemble, allowing for both solo moments and supportive undercarriage.

Who it's for

String orchestras and quartets at the middle school through early college level will find these arrangements immediately usable and rewarding. Teachers seeking concert repertoire that engages audiences while building student musicality without excessive technical demand will appreciate the balance Zinn strikes. Any group looking for reliable encores with personality will turn to this collection again and again.

How to get the most out of it

  • Shape the lighter, more playful pieces (Plink Plank Plunk, The Typewriter) with rhythmic precision and character; Anderson's humor lives in the details, and clarity matters more than warmth here.
  • Balance vibrato carefully in the lyrical works like Forgotten Dreams and Serenata so the cello line sings without overwhelming the ensemble texture.
  • Lock in with the accompaniment on Sleigh Ride and Jazz Pizzicato by marking the natural pulse first in rehearsal; these benefit from a strong rhythmic foundation before adding stylistic color.
  • Bring out the bluesy inflection in Blue Tango and the syncopated lilt in The Syncopated Clock by listening for the accompaniment's harmonic support rather than pushing the melody forward.

How to use it

Consider pairing a suite of these pieces for a program focused on American light classics, or cherry-pick individual favorites as encores throughout the school year. Sleigh Ride and The Typewriter work especially well as season-opener energy. The more lyrical selections like Forgotten Dreams and Serenata offer pacing opportunities in longer concerts.

Skills your students will build

  • Playing accurately in moderate to bright tempos with clean articulation
  • Balancing melody and accompaniment roles within the ensemble
  • Executing syncopated rhythmic figures with stylistic clarity
  • Shaping phrase contours in both playful and lyrical contexts
  • Responding to harmonic movement rather than relying solely on the melody

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