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Lenore, Symphonic Poem (Burger's Ballade): Full Orchestra, Conductor Score & Parts

$125.00 USD
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Lenore, Symphonic Poem (Burger's Ballade) Cover Image

Lenore, Symphonic Poem (Burger's Ballade): Full Orchestra, Conductor Score & Parts

By Henri Duparc

Item: 36-A575902

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Description
LÉNORE, SYMPHONIC POEM (BURGER'S BALLADE) is a work for orchestra by French composer Henri Duparc (1848-1933). He probably began work on the piece in 1869, which he based on the 1774 gothic ballad of the same name by Gottfried August Bürger. The poem tells of a deceased knight named Wilhelm, returned from war, who takes his fiancé Lénore on a ghostly ride toward death. Édouard Colonne conducted the premiere at the Société Nationale on May 15, 1875. Following the second performance, the composer decided to revise it. He wrote later that he had cut two passages which, in his view, "gave the audience an upset stomach," and in the end, distanced himself from the work. Instrumentation: 2+Picc.2.2.4(4th opt): 4.2.3.1: Timp.Perc(3): Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258696250
SKU: 36-A575902
Instrumentation: 2+Picc.2.2.4(4th opt): 4.2.3.1: Timp.Perc(3): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Henri Duparc

Henri Duparc (1848-1933) was a French composer whose output was small but intensely crafted. He composed primarily during the 1870s and 1880s, producing a body of work concentrated in art song and orchestral music that exemplified the refined sensibility of the French Romantic tradition. Duparc's orchestral writing shows sophisticated harmonic language and orchestration; his songs remain cornerstones of the mélodie repertoire.

Despite his gifts, Duparc withdrew from composition in his mid-thirties, troubled by self-doubt and health issues. He destroyed many of his manuscripts and published only a fraction of what he wrote. Lénore, revised after its 1875 premiere, reflects his characteristic fastidiousness and his ability to translate literary drama into symphonic form.

Why we love this

Lénore gives orchestras a chance to explore a work that sits in the rich tradition of narrative symphonic poems without the oversaturation of Strauss or Saint-Saëns. The orchestration demands refinement and control; balancing the string section while managing the brass and percussion creates real ensemble challenges that pay off musically. This is a piece that rewards rehearsal and reveals new colors with each read-through.

What to expect

Lénore captures the gothic intensity of Bürger's ballad: ghostly, propulsive, and darkly romantic. The orchestration shimmers with unsettling beauty, moving from tender orchestral passages to moments of theatrical urgency that evoke the supernatural journey at the poem's heart. It feels like cinema before cinema existed, painting vivid dramatic scenes through sound.

Who it's for

Orchestras seeking ambitious 19th-century repertoire beyond the most-performed canon will find a substantial challenge and reward in this score. Conductors who value dramatic cohesion and sophisticated orchestration will appreciate Duparc's refined approach to the symphonic poem form. This work suits programs that explore French Romanticism or narratives drawn from literature.

How to get the most out of it

  • Attend carefully to dynamic balance in the string section, particularly when the lower voices carry material that supports but does not overwhelm the first violins; a lean string sound will let the orchestration breathe.
  • Shape the work's dramatic arc through tempo relationships rather than tempo changes; the gothic narrative requires forward momentum even in darker passages.
  • Use the percussion strategically to mark shifts in the narrative without letting timpani or bass drum dominate the texture; they should punctuate, not propel.
  • Bring out the woodwind solos and doublings that carry thematic material, as they often provide color essential to the symphonic development.

How to use it

Program Lénore as a centerpiece for a concert exploring Romanticism in orchestral music, pairing it with other narrative works or with chamber music by French composers of the same era. It works well as a single major work on a concert that includes shorter pieces, as its length and dramatic demands will anchor the program. Consider it for a thematic concert built around literary adaptation in music, or for showcasing your orchestra's interpretive depth to audiences seeking less familiar repertoire.

Skills your students will build

  • Managing extended passages with complex, layered orchestration across multiple instrumental families
  • Balancing transparency and resonance in Romantic-era harmonic language
  • Responding to narrative structure within instrumental music and shaping dramatic climaxes
  • Coordinating rhythmic precision across the full orchestra in passages of varied textural density
  • Reading and executing 19th-century French orchestral idioms and compositional technique

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