Legacy Sheet Music Preview

Legacy: SAB Choral Octavo

By Sherry Blevins

Item: 35-DS01888836

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$3.60
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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS01888836

More about this title

About the Composer: Sherry Blevins

Sherry Blevins

Sherry Blevins has established herself as a composer whose work appears regularly on the rosters of major publishers including Alfred Music, Hinshaw, Fred Bock, and Jocelyn Hagen Music. Her 27+ published compositions have been premiered and performed across the country, from Oklahoma All-State Mixed Chorus to the Cincinnati Boychoir, and internationally at venues including Opera Lucca's Composer's Institute in Italy. She serves as clinician, conductor, and adjudicator at festivals and competitions nationwide.

Vincent Oakes, former Artistic Director of the Chattanooga Boys Choir and past president of ACDA's Southern Region, describes her music as "engaging and enriching for the singer as it is enjoyable for the listener." Her compositions pair beautifully crafted melodies with tuneful harmonies and carefully balanced accompaniments. In recent years, Blevins has focused on collaborative commissioning work with school choirs; in 2023 alone, she co-composed with seven schools across the Charlotte-Mecklenburg district, creating pieces that authentically reflect the voices and personalities of middle and high school ensembles.

Why we love this

Blevins writes with the voice of someone who has actually directed choirs and understands what singers need. The piece sits well for SAB voicings, with internal melodies that give all three parts something meaningful to sing rather than relegating lower voices to harmonic padding. The accompaniment supports without overwhelming, which means your ensemble can focus on the text and musicality rather than fighting through dense piano writing.

What to expect

Legacy unfolds with a sense of thoughtful reflection. The harmonic language is contemporary without being difficult, and the text receives musical treatment that feels earned rather than imposed. Singers will find themselves drawn into the piece's emotional arc through melody that feels natural to sing.

Who it's for

Directors programming concert repertoire for three-part mixed choirs at the high school or adult level. The piece works well for ensembles with developing voices alongside more experienced singers, since the voicing distributes the demands evenly.

How to get the most out of it

  • Balance the parts by rehearsing the piece with singers on neutral syllables before adding text; this clarifies Blevins' harmonic architecture and prevents any section from oversinging
  • Work the accompaniment with your pianist early. Even though it's supportive, its phrasing should breathe with the voices, not against them
  • Find the emotional center of the text first, then let the music serve it. Blevins' writing often suggests multiple valid interpretations, so clarity about what the piece means to your ensemble will guide your phrasing choices

How to use it

Consider this for a concert exploring themes of heritage, continuity, or legacy; it pairs naturally with spiritual arrangements or art songs that explore personal or communal narrative. The 15-page length makes it substantial enough for a meaningful program placement without consuming an entire concert, and its accessible difficulty allows programming flexibility within the same concert as more technically demanding works.

Skills your students will build

  • Singing supported inner parts with confidence and presence
  • Navigating rhythmic clarity within flowing, text-driven phrasing
  • Ensemble balance across three voice parts
  • Text interpretation and emotional communication in a contemporary harmonic context

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