Left-Hand Solos, Book 1 (for left hand alone) Classical Themes Cover Image

Left-Hand Solos, Book 1 (for left hand alone) Classical Themes: Piano Book

$6.95 USD
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Left-Hand Solos, Book 1 (for left hand alone) Classical Themes Cover Image

Left-Hand Solos, Book 1 (for left hand alone) Classical Themes: Piano Book

Arranged by John W. Schaum

Level: Early Intermediate

Item: 00-EL9741A

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Description
The perfect answer for broken fingers, broken arms, sprained wrists, fingers with band-aids, and arms with casts. Titles are: Can't Help Singing * Silvery Waves * Deep Valley * Rolling Along * Plus and Minus * Sunset Waltz * Out of the Past * Spring Song * Arkansas Traveler * Serenade * Two Is Company (duet) * Memories of You * Doing Things on a Big Scale * The Futile Courtship * Robin Adair * Halo on the Moon * Longing and more. "Out of the Past" is a Federation Festivals 2016-2020 selection.

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Additional Details
Series: Schaum Method Supplement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-1726-7
ISBN13: 978-0-7579-1726-4
UPC: 654979068570
SKU: 00-EL9741A

More about this title

About the Arranger: John W. Schaum

John W. Schaum shaped piano pedagogy for generations through his systematic method books and thoughtfully arranged repertoire. His approach balances technical development with musical engagement, making classical material accessible without sacrificing artistic integrity.

Why we love this

This collection turns a potential setback into an unexpected gift for your students. Rather than interrupt progress during recovery from injury, you can keep them engaged with genuine, recognizable classical themes arranged specifically for left-hand technique. The variety of moods and styles means students stay motivated while building independence in their weaker hand.

What to expect

These pieces have the lyrical warmth of salon music and folk traditions; waltzes and serenades unfold naturally under the left hand with enough melodic interest to feel complete rather than compromised. There's an understated elegance here, the kind you find in music written to accompany drawing rooms or quiet evenings rather than concert halls.

Who it's for

Students healing from hand, wrist, or arm injuries who need to maintain musical engagement and technical growth. This book is equally valuable for pianists wanting to develop left-hand facility and independence, or for teachers seeking accessible classical repertoire that doesn't require two functioning hands.

How to get the most out of it

  • Record each piece with the right hand tacet so students can hear the full harmonic context; this prevents left-hand solos from feeling thin or isolated during practice.
  • Slow down passages that cross the thumb under the fingers; left-hand independence strengthens through deliberate practice of these transitions rather than speed.
  • Encourage students to listen for the melodic line within the left hand itself, not as accompaniment searching for a missing melody above it.
  • Schedule frequent playings for family or classmates; the social reinforcement helps students take these pieces seriously rather than view them as remedial.

How to use it

Feature a left-hand solo on a studio class or informal performance to normalize injury recovery and showcase the progress your student has made during downtime. Alternatively, develop left-hand strength across your studio by assigning these pieces to students working on technical independence, then invite performances that highlight what the left hand can accomplish alone.

Skills your students will build

  • Left-hand melodic independence and voice leading
  • Legato and phrasing without relying on right-hand support
  • Confidence navigating the full range of the keyboard with one hand
  • Finger strength and dexterity in the non-dominant hand
  • Interpretation of classical themes and stylistic conventions

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