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Lecons and Pieces: Piano Book

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Lecons and Pieces Cover Image

Lecons and Pieces: Piano Book

By George Frideric Handel

Item: 00-K03510

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Description
A collection of piano solos composed by George Frideric Handel.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Lecons and Pieces: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 76
ISBN10: 0-7579-2821-8
ISBN13: 978-0-7579-2821-5
UPC: 029156975048
SKU: 00-K03510

More about this title

About the Composer: George Frideric Handel

George Frideric Handel (1685-1759) was a German-born composer who spent most of his creative life in England, where he became a dominant figure in Baroque music. His prolific output spanned operas, oratorios, concertos, and keyboard works, and his ability to craft memorable melodies with harmonic sophistication made him one of the most performed composers of his era and beyond.

Handel's keyboard works reveal a composer equally comfortable with intimate, intimate forms as with grand theatrical gestures. These pieces showcase the contrapuntal skill and elegant phrasing that earned him international recognition, and they remain essential repertoire for pianists seeking to understand the keyboard language of the high Baroque.

Why we love this

Handel's keyboard solos strike an ideal balance between musical substance and technical accessibility. These pieces reward careful attention to voice leading and ornamentation while remaining performable by intermediate pianists, making them invaluable for students who want to study the Baroque keyboard tradition without requiring virtuosic facility.

What to expect

These pieces embody the elegance and formal clarity of the Baroque, with melodies that sing and harmonic language that remains direct and expressive. Moving between dance forms, sarabandes, and character pieces, the collection traces the refined keyboard aesthetic Handel brought to even his smallest works.

Who it's for

Intermediate to advanced pianists studying Baroque keyboard literature will find substantial material here. Teachers seeking authentic Baroque repertoire for recital programs or for students exploring the keyboard works of a canonical composer will appreciate the breadth of forms and styles Handel covers.

How to get the most out of it

  • Approach the ornamentation as integral to the melody, not decoration. Research period-appropriate execution of trills, turns, and mordents specific to Handel's notation.
  • Shape phrases around Baroque harmonic rhythm rather than modern bar lines. Handel's cadential gestures often span multiple measures, so listen through to the resolution.
  • Balance the independence of inner voices without losing the melodic line. These pieces are often two or three-part textures that demand clarity and independence.
  • Maintain a steady, unhurried tempo that allows the harmonic progressions to breathe. Resist the urge to rush passages with running sixteenth notes.

How to use it

These solos work well as recital openers or as part of a themed program exploring Baroque keyboard music. They also fit naturally into a teaching sequence where students transition from Baroque dance suites to more elaborate keyboard forms, anchoring their understanding of period style.

Skills your students will build

  • Baroque ornamentation and articulation
  • Two and three-part voice independence and clarity
  • Harmonic rhythm and phrase shaping in Baroque contexts
  • Performing period-appropriate tempo and stylistic gesture
  • Reading and interpreting figured bass notation where present

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