Leaving on a Jet Plane  Sheet Music Preview

Leaving on a Jet Plane: Interm./Easy Guitar TAB

John Denver

Item: 00-PS-0011034

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Description
The music of country-folk singer/songwriter John Denver established him as one of the most beloved entertainers of his era. This folio features classic Denver tunes such as: Annie's Song * Aspenglow * Back Home Again * Calypso * Eagle and the Hawk * Farewell Andromeda (Welcome to My Morning) * Fly Away * Follow Me * Goodbye Again * I'd Rather Be a Cowboy * I'm Sorry * Leaving on a Jet Plane * My Sweet Lady * Rocky Mountain High * Starwood in Aspen * Sunshine on My Shoulders * Take Me Home, Country Roads * Thank God I'm a Country Boy * This Old Guitar and more. Includes a discography and guitar tab glossary.

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Additional Details
Publisher: Alfred Music
Page Count: 76
SKU: 00-PS-0011034

More about this title

About the Composer: John Denver

John Denver (1943-1997) became a defining voice of 1970s folk and country music through his direct, conversational songwriting and distinctive tenor. His catalog of accessible melodies and nature-inspired lyrics made him one of the best-selling artists of his generation, with multiple platinum albums and Grammy awards. For guitar students, Denver's work remains invaluable: his songs prioritize clear chord progressions, memorable melodic contours, and fingerstyle techniques that develop both technical facility and musical expression.

Why we love this

This collection captures Denver's gift for writing songs that sound deceptively simple but reward repeated playing. Students encounter genuine fingerstyle patterns, key changes, and dynamic shaping without the technical density that discourages intermediate players. The mix of well-known hits and deeper catalog pieces gives teachers flexibility to meet students at their level while building toward pieces like 'Rocky Mountain High' and 'Take Me Home, Country Roads' that feel genuinely accomplishing to perform.

What to expect

These arrangements preserve the warmth and immediacy of Denver's original recordings while giving your fingers real work to do. Playing through this folio feels like picking up an acoustic guitar on a quiet evening, moving from one cherished tune to the next with the kind of confidence that comes from melodic clarity and supportive chord voicings.

Who it's for

Intermediate and early-advanced guitarists who want to build fingerstyle technique through repertoire they actually want to play. This collection works well for students ready to move beyond simple strumming patterns but who benefit from songs with straightforward harmonic structures and recognizable melodies.

How to get the most out of it

  • Pay attention to the dynamic arc within each song rather than playing at a constant volume; many Denver compositions build from intimate verses to fuller choruses, and that contrast shapes how listeners receive the melody.
  • Work the fingerstyle patterns slowly before bringing them up to tempo; the syncopation in several arrangements sits slightly behind the beat in ways that are easy to rush.
  • Balance the melody line against your bass notes so the tune stays audible even when you're carrying harmonic movement in the lower strings.
  • Use the tab glossary to clarify any fingerstyle notation that's unfamiliar, especially regarding sustain and muting techniques that affect the resonance of these pieces.

How to use it

Select individual pieces for student recitals throughout the year, since the collection offers something suitable for nearly every mood and skill level within the intermediate range. The combination of folk, pop, and country material makes these pieces work well in casual performance settings, open houses, or as repertoire choices when students want to play music that matters to them personally.

Skills your students will build

  • Fingerstyle patterns and right-hand independence
  • Reading and executing guitar tablature accurately
  • Dynamic shaping and phrasing in melodic lines
  • Chord voicings and smooth voice leading across key changes
  • Sustain and muting techniques for tonal control

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