Leave It All To Me (Main Title Theme from iCarly) (arr. Jack Zaino) Sheet Music Preview

Leave It All To Me (Main Title Theme from iCarly) (arr. Jack Zaino): SATB Choral Octavo

As performed by Miranda Cosgrove / As performed by Drake Bell / Arranged by Jack Zaino

Item: 35-DS01521803

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01521803

More about this title

About the Artist: Miranda Cosgrove

Miranda Cosgrove rose to prominence as the lead of Nickelodeon's iCarly, a role that made her a household name among young audiences in the late 2000s and early 2010s. Beyond her acting career, she established herself as a recording artist, with the iCarly theme becoming one of the most recognizable television songs of its era. Her work in children's and family entertainment has made her a cultural touchstone for an entire generation of students now in middle and high school choirs.

Why we love this

Jack Zaino's arrangement captures the infectious energy of this beloved theme while making it genuinely singable for mixed ensembles. Students connect immediately to material they know, and this arrangement respects both the source material and the capabilities of high school choirs, creating that rare moment where engagement and musicality go hand in hand.

What to expect

Playful and confident, with the kind of forward momentum that makes singers want to dig in. The arrangement bounces along with a contemporary pop sensibility while maintaining enough harmonic interest to keep musicians engaged beyond the opening hook.

Who it's for

High school choirs seeking contemporary material that resonates with students while offering legitimate musical challenges. Directors programming concerts that bridge pop culture and choral excellence will find this arrangement hits a sweet spot for audience engagement without sacrificing artistic integrity.

How to get the most out of it

  • Nail the rhythmic precision in the opening sections; the theme's strength comes from snappy, clean articulation that mirrors the show's visual pacing.
  • Balance the soloistic moments carefully so individual voice parts shine without drowning out the harmonic foundation beneath them.
  • Lean into the pop idiom; think rhythmic clarity and energy rather than legit vocal weight. This style thrives on bounce and attitude.

How to use it

Perfect as an upbeat opener or closer on a concert where you're mixing classical and contemporary work. The eleven pages make it substantial enough to anchor a themed program around television and film music, or pair it with other pop arrangements to create a full set that appeals to students and audiences alike.

Skills your students will build

  • Rhythmic precision in pop idioms
  • Balancing part independence with ensemble blend
  • Intonation in contemporary harmony
  • Stylistic interpretation beyond classical traditions

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