Lead Me to the Rock: Choral Instrumental Pak
Arranged by Kirby Shaw
Item: 35-PK00261862
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Lead Me to the Rock - Guitar: Choral Instrumental Pak | $7.00 | |
| Lead Me to the Rock - Bass: Choral Instrumental Pak | $7.00 | |
| Lead Me to the Rock - Drums: Choral Instrumental Pak | $7.00 |
Parts Added to Cart!
Description
Lead Me to the Rock: Choral Instrumental Pak isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Kirby Shaw

Kirby Shaw's influence on choral music education spans five decades and six continents. Armed with degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington, Shaw has established himself as both a master teacher and prolific composer. His career includes founding the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous and directing vocal jazz programs at Colorado State University and the University of Missouri at Kansas City. He now leads the Jefferson State Choral Coalition at Southern Oregon University.
Shaw's creative output is staggering: over 2500 choral arrangements and compositions in print, nearly 20 million copies sold worldwide, and numerous ASCAP awards. He has mentored alongside jazz legends like Bobby McFerrin, Al Jarreau, and Jon Hendricks, directed hundreds of educational recordings, and recently received a commission from the Mormon Tabernacle Choir. Beyond choral music, Shaw co-wrote the musical Scroogical, an original adaptation of Dickens' A Christmas Carol, and performs with Just 4 Kicks, a four-part a cappella jazz ensemble.
Why we love this
Shaw understands exactly how to make gospel rock speak to young singers without sacrificing musicality. The alternating energy levels and built-in solo opportunities give your ensemble room to shine while the inspirational text carries genuine weight in any concert context.
What to expect
Gospel rock conviction paired with choral sophistication. You'll hear the driving pulse of contemporary worship music meeting ensemble harmonies that feel earned, not imposed. Under two and a half minutes, the piece maintains its inspirational momentum without overstaying its welcome.
Who it's for
Concert choirs and sacred music programs seeking repertoire with contemporary energy and spiritual substance. This works equally well for high school and adult community ensembles that want something modern without sacrificing accessibility.
How to get the most out of it
- Establish the groove early. The refrain drives everything, so lock the rhythm section's pocket during rehearsals before layering harmonies.
- Spotlight individual singers through the solo sections. This arrangement shines when voices are featured, so consider rotating soloists to build confidence.
- Balance the contrast between high-energy passages and reflective moments. The contrasting sections lose impact if you don't create real dynamic separation in both tempo and volume.
- Let the accompaniment breathe. The instrumental pak's arrangement has room for your voices to sit forward, especially during the emotional peaks.
How to use it
Program this alongside traditional sacred music to show the range of your ensemble's voice, or use it as your spiritual moment in a secular concert. The uplifting message and moderate length make it ideal for spring concerts, music appreciation assemblies, or as a closer that leaves audiences energized.
Skills your students will build
- Rhythmic precision in contemporary gospel grooves
- Harmonic independence while maintaining ensemble blend
- Solo singing with confidence in front of peers
- Dynamic contrast and phrasing across contrasting sections
- Stylistic flexibility when interpreting rock-influenced choral music