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...le vent, l'arbre et le temps: Double Bass (Solo)

$20.95 USD
$20.95 USD
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. . .le vent, l'arbre et le temps Cover Image
...le vent, l'arbre et le temps: Double Bass (Solo)

...le vent, l'arbre et le temps: Double Bass (Solo)

(No. VII from L'Évolution du Vol)

By James Dillon

Item: 98-EP7413G
$20.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-57-702000-5
ISBN13: 979-0-5770-2000-6
SKU: 98-EP7413G

More about this title

About the Composer: James Dillon

James Dillon is a Scottish composer whose music often blends rigorous formal innovation with poetic attention to sound texture and timbre. His works span orchestral, chamber, and solo repertoire, and he has written extensively for contemporary ensembles and soloists; his compositional voice draws on extended instrumental techniques and intricate rhythmic structures that challenge performers to engage deeply with sound itself.

Dillon's catalogue includes significant solo works for strings, wind, and keyboard instruments. His engagement with the double bass reflects a broader compositional interest in exploring the expressive and technical capacities of each instrument, often moving beyond conventional idioms to reveal new sonic territories.

Why we love this

This is substantial solo repertoire from a major contemporary voice, written with genuine understanding of the double bass's capabilities. The 12-page score demands serious technical commitment while offering genuine artistic substance, making it ideal for advanced students preparing competition or recital programs that reach beyond the standard literature.

What to expect

The title evokes natural forces in constant transformation, and the music reflects this through constantly shifting textures, timbral colors, and spatial relationships within the instrument's range. The work unfolds with the quietness and inevitability of slow natural processes, rewarding patient listening and precise execution.

Who it's for

This work suits advanced double bassists with solid command of extended techniques and the rhythmic literacy to navigate contemporary notation. It belongs in the repertoire of serious conservatory students and professional performers seeking demanding, artistically rich solo material.

How to get the most out of it

  • Study the rhythmic notation with care; Dillon's approach to meter and pulse often rewards repeated practice at varied tempos before settling on the final performance speed.
  • Explore the full range of bow pressure and contact point the title suggests. The interaction between wind, tree, and time calls for a refined palette of timbral colors across the instrument's range.
  • Map out passages that sit in extreme registers and plan your approach to intonation and resonance in those areas early in your preparation.
  • Allow time for the piece to settle. The compositional language rewards familiarity; passages that seem abstract on first reading often reveal their logic through repeated engagement.

How to use it

Program this as a centerpiece of a contemporary recital or as part of a mixed concert exploring extended techniques and modern solo literature. Its substantial length and artistic weight make it suitable as the anchor of a program devoted to 21st-century string writing.

Skills your students will build

  • Reading and executing contemporary rhythmic notation with multiple meters and syncopated phrasing
  • Extended techniques including varied bow strokes, harmonics, and timbral manipulation
  • Intonation stability across the full range of the instrument, especially in high positions
  • Interpretive decision-making within a complex, non-traditional harmonic language
  • Stamina and musical focus over an extended solo work

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