Le Roi d'Ys: Overture Cover Image

Le Roi d'Ys: Overture: Full Orchestra, Conductor Score & Parts

$120.00 USD
Sale price  $120.00 USD Regular price 
Skip to product information
Le Roi d'Ys: Overture Cover Image

Le Roi d'Ys: Overture: Full Orchestra, Conductor Score & Parts

By Edouard Lalo, ed./arr. by Clinton Nieweg/ Nancy Bradburd

Item: 36-A162102

$120.00
Shipped

One moment…

Description
French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton legend of the city of Ys as a subject, as she was from Brittany. The opera, with a libretto by Édouard Blau, depicts two daughters of the King of Ys, both of whom love the knight Mylio. Mylio only loves Rozenn, so her jealous sister Margared collaborates with the city's enemy, Prince Karnac, to open the sluice gates and drown the city on the day of Rozenn and Mylio's wedding. Wracked with guilt for what she has done, Margared throws herself into the sea, and the city's patron saint, St. Corentin, saves what remains of Ys. Following failed attempts to see it staged in 1885, and after some rounds of revisions, the opera premiered on May 7, 1888, at the Opéra-Comique in Paris. The opera was met with great success in Paris, and it was regularly staged for many years, though its popularity began to wane after World War I, when tastes began to move away from more romantic, lyrical operas. Occasional revivals have occurred in the 20th and 21st centuries. The dramatic overture, which depicts many of the opera's principal melodic ideas, is considered among the finest in the concert repertoire, and it regularly finds itself on concert programs. Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). Edition by Clinton Nieweg and Nancy Bradburd.

Le Roi d'Ys: Overture: Full Orchestra, Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659359643859
SKU: 36-A162102
Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Edouard Lalo

Édouard Lalo (1823-1892) was a French composer and violinist whose romantic orchestral writing defined much of the French musical landscape in the second half of the 19th century. Though he composed across multiple genres, he is best remembered for works of lyrical warmth and structural sophistication, including the Symphonie espagnole and Concerto pour violoncelle et orchestre, both of which remain central to the concerto repertoire.

Lalo's operatic output was smaller than his orchestral work, but Le Roi d'Ys stands as his most enduring stage success. The work showcases his gift for crafting memorable melodic lines and orchestrating them with color and drama, qualities that shine brilliantly in the overture. His music bridges the traditions of French lyric opera with the more symphonic ambitions of his German contemporaries.

Why we love this

This overture delivers genuine dramatic weight without requiring a full operatic production. The writing is transparently orchestrated yet sophisticated, giving every section compelling material to play; the score moves with narrative urgency and rewards clean ensemble work with immediate musical payoff. Programming it signals musical literacy to your audience while remaining fully accessible to orchestras at the intermediate-to-advanced level.

What to expect

The overture is a whirlwind of Romantic drama and lyrical invention. It sweeps between urgent, almost violent orchestral outbursts and passages of genuine tenderness, mirroring the operatic story's emotional arc. The writing is never static; Lalo constantly shifts the orchestral color and texture, keeping the ear engaged and the ensemble on alert.

Who it's for

Orchestras with solid ensemble skills and reliable brass and woodwind sections will find this overture both rewarding and within reach. The technical demands are moderate, but the interpretation requires musical maturity and clear communication between conductor and sections. This is ideal for orchestras ready to step beyond educational repertoire into concert-grade standard works.

How to get the most out of it

  • Shape the opening brass figures with pointed articulation and clear dynamic control; these motifs recur throughout and establish the overture's rhythmic engine from the first measure.
  • Balance the string writing carefully in the lyrical passages. Lalo layers multiple melodic ideas simultaneously, so precise dynamic grading in the violin sections allows the principal themes to emerge without drowning the inner voices.
  • Maintain forward momentum through the modulations in the central section. The harmonic language shifts frequently, and if the ensemble loses rhythmic focus, the transitions will feel abrupt rather than propulsive.
  • Use the timpani and percussion to anchor the climactic moments; these are not decorative in this score, and crisp attacks will sharpen the orchestral impact during the fortissimo passages.

How to use it

Program this as the centerpiece of a concert exploring 19th-century French orchestral music, or use it as an opener that sets a sophisticated, dramatic tone for the evening. It also pairs beautifully with other works from the Romantic concert repertoire, particularly if you're building a program around themes of legend, narrative, or European cultural heritage.

Skills your students will build

  • Balancing multiple simultaneous melodic lines in strings and woodwinds
  • Coordinating brass entries with rhythmic precision and dynamic control
  • Sustaining forward motion through frequent key changes and harmonic shifts
  • Responding to frequent tempo and dynamic fluctuations from the conductor
  • Shaping long phrase arcs across modulating harmonic passages

You May Also Like