Le Festin (from Ratatouille) Sheet Music Preview

Le Festin (from Ratatouille): SAB Choral Octavo

Arranged by Alan Billingsley

Item: 35-DS00263696

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00263696

More about this title

About the Arranger: Alan Billingsley

Alan Billingsley

Alan Billingsley brings decades of experience across film, television, theme parks, and the concert stage. His arrangements and compositions have appeared in everything from NBC daytime programming to Disney's worldwide attractions, and his work has garnered Grammy consideration multiple times. He served as music director and pianist for "Days of Our Lives" and has mentored countless educators through his clinician roles at Disneyland's "Magic Music Days."

Based in Los Angeles, Billingsley operates a fully digital recording studio and holds a degree in music and psychology from Indiana University. His versatility spans educational settings, commercial recordings, radio and television productions, and large-scale theatrical events, including recent original songs for a Broadway-style musical. His long creative partnership with The Walt Disney Company informs his distinctive approach to accessible yet sophisticated arrangements.

Why we love this

Billingsley's arrangement captures the playful sophistication of Michael Giacchini's original while making it entirely singable for a three-part mixed ensemble. The voicing maintains the song's charming character without sacrificing musical substance, giving your choir a film arrangement that sounds polished and concert-ready rather than simplified.

What to expect

Charming and slightly sophisticated, like stumbling into an elegant Parisian restaurant where something magical is unfolding. The music captures both the whimsy of the film and the warmth of its culinary celebration, inviting singers and audiences alike into an intimate, joyful moment.

Who it's for

Choirs seeking accessible three-part repertoire with genuine musical appeal will find this arrangement immediately useful. It works equally well for concert programming or informal performance settings, making it ideal for groups that want film music with real substance rather than novelty value.

How to get the most out of it

  • Balance the melody between soprano and alto to keep the tune clear while showcasing both parts; this prevents either voice from dominating the musical line.
  • Treat the rhythmic figures as conversational rather than mechanical, letting the French bistro flavor breathe naturally across measures.
  • Shape phrases through dynamic contour rather than relying on text stress alone, especially in the more lyrical passages that recall the film's romantic undertones.
  • Reference the film's original orchestration for phrasing ideas, but trust that Billingsley's arrangement is designed to work independently without accompaniment or recording.

How to use it

Feature this as a lighter moment in a concert dominated by classical or contemporary art music; its accessibility and recognizable melody provide welcome variety. It also fits naturally in multimedia programs, holiday shows, or family concerts where film music anchors the program while your choir demonstrates range.

Skills your students will build

  • Balancing melody between soprano and alto parts
  • Phrasing through harmonic architecture in accessible voicing
  • Interpreting style in a contemporary film arrangement
  • Sustained singing with musical intention in shorter-form pieces

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