Last Voyage of Queen Anne's Revenge Cover Image

Last Voyage of Queen Anne's Revenge: Brass Quintet Score & Parts

$15.00 USD
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Last Voyage of Queen Anne's Revenge Cover Image

Last Voyage of Queen Anne's Revenge: Brass Quintet Score & Parts

By Ryan Meeboer / arr. David Marlatt

Level: Easy

Item: 81-BQ28287

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Description
Queen Anne's Revenge was the final ship sailed by Edward Thatch, also known as the pirate, Blackbeard. To give the "Pirate-like" feeling to the music, it has been composed in 6/8 time, as have many pieces about pirates. This is an arrangement of the best selling work for young concert band.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-204-2
ISBN13: 978-1-55473-204-3
UPC: 685462012053
SKU: 81-BQ28287
Instrumentation: Brass Quintet

More about this title

Why we love this

Meeboer's original concept translates beautifully to brass quintet through Marlatt's arrangement, preserving the swagger and propulsive energy that made the band version successful. The 6/8 meter sits naturally in brass writing, giving players a clear rhythmic anchor while maintaining the pirate aesthetic without resorting to cheap novelty effects. This is genuine musical storytelling at an accessible level.

What to expect

The open waters and swashbuckling adventure of a ship's final journey unfold across five voices moving in 6/8. There's a restless, forward momentum to the piece, with the meter itself propelling listeners along a narrative arc from beginning to uncertain end.

Who it's for

Brass quintets seeking accessible repertoire that combines historical intrigue with solid musicianship demands. This works for younger players new to quintet literature as well as more experienced groups programming contests or casual performances where audience engagement is part of the goal.

How to get the most out of it

  • Shape the 6/8 pulse with attention to where the musical weight falls within each measure; resist the urge to make every beat equal or the piece loses its narrative drive.
  • Balance the five voices carefully during thematic statements so the melody cuts through without the accompaniment fading to nothing. Brass naturally projects, so ensemble awareness matters more than individual volume.
  • Use the contest/festival context to heighten ensemble communication; cue each other visually at transitions and during rhythmic moments that define the 'voyage' character.

How to use it

Program this as a standalone contest entry or festival highlight where a story-driven piece with broad appeal serves your ensemble well. It also pairs nicely on a concert with other maritime or historical-themed music, or as a palate cleanser between heavier classical works.

Skills your students will build

  • Reading and maintaining 6/8 meter with consistent pulse across five independent lines
  • Balancing harmonic voices in a five-part brass setting
  • Shaping thematic material across an ensemble without conductor dependence
  • Ensemble communication through visual cues and sectional awareness
  • Narrative interpretation of programmatic music

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