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Last of the Summer Wine: Mixed Instruments - Miscellaneous Ensemble Score & Parts

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Last of the Summer Wine Cover Image

Last of the Summer Wine: Mixed Instruments - Miscellaneous Ensemble Score & Parts

By Ronnie Hazlehurst

Item: 12-0571513026

$23.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51302-6
ISBN13: 978-0-571-51302-4
UPC: 9780571513024
SKU: 12-0571513026

More about this title

About the Composer: Ronnie Hazlehurst

Ronnie Hazlehurst (1927-2002) was a British composer and conductor best known for his television and film scores. His work defined the sound of British light entertainment and drama for generations, earning him recognition for his ability to craft memorable, accessible music across multiple media. Hazlehurst's compositional voice balanced sophistication with immediate appeal, making his scores work equally well in professional and educational settings.

Why we love this

This score captures Hazlehurst's gift for writing charming, character-driven themes that sing across diverse instrumentation. The mixed ensemble arrangement offers genuine flexibility: you can perform it with what you have without sacrificing the warmth and wit that made the original so enduring. It's the kind of piece that feels sophisticated in the hands of your players while remaining genuinely fun to rehearse.

What to expect

Bright, affectionate, and gently comedic, this arrangement captures the gentle eccentricity and warmth of its source material. There's an unpretentious charm to the melody and a buoyancy in the orchestration that makes it feel both nostalgic and immediate. The music invites a smile without winking at the audience.

Who it's for

Conductors leading mixed ensembles, community bands, and school orchestras will find this a practical choice for concerts that call for something familiar yet crafted with real musical substance. It works equally well for intermediate to advanced players who appreciate straightforward, rewarding scoring. The piece suits groups seeking repertoire that engages audiences without demanding virtuosic technical display.

How to get the most out of it

  • Balance the ensemble so that melody lines cut through clearly regardless of which instruments carry them; Hazlehurst's orchestration distributes the thematic material across different colors, and each moment deserves space to speak.
  • Shape the phrasing with a light touch. The theme has a conversational quality that rewards natural breathing and gentle rubato rather than metronomic strictness.
  • Coordinate attacks crisply, especially in tutti passages. The ensemble writing relies on rhythmic clarity to maintain the brightness and energy that characterize this music.
  • Use the arrangement's flexibility intentionally. If you're missing an instrumental part, consider where the line can double without muddying the texture, and rehearse those solutions in advance.

How to use it

Program this as an opener or palate-cleanser on a concert featuring heavier or more demanding repertoire. Its accessibility and immediate charm make it excellent for family concerts, community performances, or any program aiming to balance serious music with genuine entertainment value. The piece also works well as an encore or as part of a themed concert celebrating television and film music.

Skills your students will build

  • Ensemble balance across mixed instrumentation
  • Flexible orchestration reading and doubling strategies
  • Phrasing and musical line in light, character-driven music
  • Rhythmic precision in fast-moving ensemble passages
  • Coordinated articulation and attack across diverse instrument families

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