Last of the Real Ones (arr. Matt Conaway) Sheet Music Preview

Last of the Real Ones (arr. Matt Conaway): Marching Band Conductor Score & Parts

As performed by Fall Out Boy / Arranged by Matt Conaway

Grade: 3-4

Item: 35-PK00431405

Digital Download
$60.00

Buy Extra Parts (Digital PDF Download)

Product Price Quantity
Last of the Real Ones (arr. Matt Conaway) - Conductor Score (Full Score) $6.00
Last of the Real Ones (arr. Matt Conaway) - Flute/Piccolo $6.00
Last of the Real Ones (arr. Matt Conaway) - Bb Clarinet $6.00
Last of the Real Ones (arr. Matt Conaway) - Eb Alto Sax $6.00
Last of the Real Ones (arr. Matt Conaway) - Bb Tenor Sax $6.00
Last of the Real Ones (arr. Matt Conaway) - Eb Baritone Sax $6.00
Last of the Real Ones (arr. Matt Conaway) - 1st Bb Trumpet $6.00
Last of the Real Ones (arr. Matt Conaway) - 2nd Bb Trumpet $6.00
Last of the Real Ones (arr. Matt Conaway) - 3rd Bb Trumpet $6.00
Last of the Real Ones (arr. Matt Conaway) - F Horn $6.00
Last of the Real Ones (arr. Matt Conaway) - Bb Horn/Flugelhorn $6.00
Last of the Real Ones (arr. Matt Conaway) - 1st Trombone $6.00
Last of the Real Ones (arr. Matt Conaway) - 2nd Trombone $6.00
Last of the Real Ones (arr. Matt Conaway) - Baritone B.C. $6.00
Last of the Real Ones (arr. Matt Conaway) - Baritone T.C. $6.00
Last of the Real Ones (arr. Matt Conaway) - Tuba $6.00
Last of the Real Ones (arr. Matt Conaway) - Electric Bass $6.00
Last of the Real Ones (arr. Matt Conaway) - Mallet Percussion 1 $6.00
Last of the Real Ones (arr. Matt Conaway) - Mallet Percussion 2 $6.00
Last of the Real Ones (arr. Matt Conaway) - Snare Drum $6.00
Last of the Real Ones (arr. Matt Conaway) - Cymbals $6.00
Last of the Real Ones (arr. Matt Conaway) - Quad Toms $6.00
Last of the Real Ones (arr. Matt Conaway) - Multiple Bass Drums $6.00
Last of the Real Ones (arr. Matt Conaway) - Aux Percussion $6.00

Parts Added to Cart!

Description
Fall Out Boy continues to lead the pack when it comes to hard-hitting rock tunes that work great for marching band! Horns and saxes get a workout on this one, with important contributions from the woodwinds and all the brass.

Last of the Real Ones (arr. Matt Conaway): Marching Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
SKU: 35-PK00431405

More about this title

About the Artist: Fall Out Boy

Fall Out Boy emerged from Chicago in the mid-2000s to become one of rock music's most dynamic acts. Their work blends pop sensibility with high-energy guitar work, propulsive rhythms, and emotionally charged vocals that have resonated across generations of listeners. The band's influence on contemporary rock is substantial, and their catalog provides rich material for adaptive arrangements in educational settings.

Why we love this

Matt Conaway's arrangement captures the visceral drive that makes this track so compelling without overcomplicating the ensemble balance. The instrumentation demands energy from your horns and saxes while keeping woodwinds and brass engaged throughout, which means every section stays invested rather than sitting idle during verse sections.

What to expect

Infectious and propulsive. The arrangement channels the original's kinetic energy while building layers that keep the momentum forward through every measure. It feels like a band that knows how to command attention on the field.

Who it's for

Marching bands at grades 3-4 looking for contemporary material with genuine rock credibility. This works especially well for groups that want to engage students with modern songs while maintaining genuine musical substance.

How to get the most out of it

  • Lock the horn and saxophone lines together in the opening; their rhythmic synchronization is what makes the groove breathe.
  • Balance the lead saxophone voice so it cuts above the horn section without drowning out harmonic support from the woodwinds.
  • Watch for dynamic contrast between the verses and the heavier sections; this arrangement only works if students understand when to pull back and when to commit.
  • Front-ensemble and battery should drive the pulse consistently; any wavering in the percussion foundation will destabilize the rock feel across the entire band.

How to use it

Position this in a show that needs an immediate energy spike or as the centerpiece of a contemporary rock segment. Its accessibility makes it ideal for mid-season programming when your students have developed the technical foundation to execute the horn and woodwind writing cleanly.

Skills your students will build

  • Balancing independent melodic lines within a dense harmonic texture
  • Executing syncopated rhythms with precision at tempo
  • Sustaining articulation clarity across extended passages
  • Responding to dynamic markings that emphasize contrast over uniformity
  • Maintaining ensemble cohesion when multiple sections carry thematic material simultaneously

You May Also Like