Last Night Was The End Of The World (arr. Barbershop Harmony Society) Sheet Music Preview

Last Night Was The End Of The World (arr. Barbershop Harmony Society): SSAA Choral Octavo

By Andrew B. Sterling Harry von Tilzer / By Andrew B. Sterling / By Harry Von Tilzer / Arranged by Barbershop Harmony Society

Item: 35-DS00472529

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00472529

More about this title

About the Composer: Andrew B. Sterling Harry von Tilzer

Andrew B. Sterling and Harry von Tilzer were prolific songwriting partners in the Tin Pan Alley era, crafting popular songs that became standards of the early 20th century. Sterling handled lyrics while von Tilzer composed melodies, and their collaborative work reached audiences through vaudeville, sheet music sales, and early recordings. Their songs captured the sentiment and humor of their time, making them ideal material for barbershop arrangement.

The Barbershop Harmony Society has been preserving and arranging classic American songs since 1938, ensuring that repertoire from Sterling and von Tilzer's era remains vibrant and accessible to modern singers. Their arrangements honor the melodic and harmonic traditions of barbershop style while making these beloved standards singable for contemporary choirs.

Why we love this

Barbershop arrangements of classic Tin Pan Alley songs strike a natural balance between accessibility and genuine four-part writing. This SSAA voicing opens the repertoire to women's ensembles while preserving the close harmonies and ringing seventh chords that make barbershop style instantly recognizable and rewarding to perform.

What to expect

A wistful, romantic snapshot of early 20th-century popular song. The piece unfolds with gentle nostalgia and the kind of harmonic warmth that comes from close four-part writing, creating intimate moments even in larger ensemble settings.

Who it's for

Women's choirs, treble ensembles, and mixed groups looking for charming early American repertoire with strong harmonic substance. Directors seeking material that teaches authentic barbershop sound without requiring four-part male voicing will find this arrangement both accessible and musically honest.

How to get the most out of it

  • Balance the melody between the soprano sections so the tune sits clearly on top without losing the warmth of the harmonic foundation underneath.
  • Shape the phrase endings with a slight ritardando and diminuendo to honor the sentimental character of the lyric.
  • Lock the inner voices (alto parts) on their rhythmic counterpoint; they drive the harmonic momentum beneath the melody.
  • Emphasize the vowel consistency across the choir, particularly on sustained chords where blend directly affects the barbershop ring.

How to use it

Position this alongside other Tin Pan Alley standards or American songbook selections to build a thematic program celebrating early 20th-century song. It works equally well as a standalone piece at a concert celebrating barbershop tradition or as part of a medley with other Sterling and von Tilzer compositions.

Skills your students will build

  • Singing close harmonies and tuning seventh chords characteristic of barbershop style
  • Maintaining independence in inner voice parts while supporting the melody
  • Shaping lyrical phrases with appropriate rubato and dynamic control
  • Blending vowels across multiple sections to achieve harmonic resonance

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