Last Full Measure (A Gettysburg Remembrance) Sheet Music Preview

Last Full Measure (A Gettysburg Remembrance): Concert Band Conductor Score & Parts

By Michael Sweeney

Grade: 2.5

Item: 35-PK00272272

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$60.00

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Product Price Quantity
Last Full Measure (A Gettysburg Remembrance) - Full Score $7.50
Last Full Measure (A Gettysburg Remembrance) - Flute $6.00
Last Full Measure (A Gettysburg Remembrance) - Oboe $6.00
Last Full Measure (A Gettysburg Remembrance) - Bassoon $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Clarinet 1 $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Clarinet 2 $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Clarinet 3 $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Bass Clarinet $6.00
Last Full Measure (A Gettysburg Remembrance) - Eb Alto Saxophone 1 $6.00
Last Full Measure (A Gettysburg Remembrance) - Eb Alto Saxophone 2 $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Tenor Saxophone $6.00
Last Full Measure (A Gettysburg Remembrance) - Eb Baritone Saxophone $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Trumpet 1 $6.00
Last Full Measure (A Gettysburg Remembrance) - Bb Trumpet 2 $6.00
Last Full Measure (A Gettysburg Remembrance) - F Horn $6.00
Last Full Measure (A Gettysburg Remembrance) - Trombone $6.00
Last Full Measure (A Gettysburg Remembrance) - Baritone B.C. $6.00
Last Full Measure (A Gettysburg Remembrance) - Baritone T.C. $6.00
Last Full Measure (A Gettysburg Remembrance) - Tuba $6.00
Last Full Measure (A Gettysburg Remembrance) - String Bass $6.00
Last Full Measure (A Gettysburg Remembrance) - Percussion 1 $6.00
Last Full Measure (A Gettysburg Remembrance) - Percussion 2 $6.00
Last Full Measure (A Gettysburg Remembrance) - Mallet Percussion $6.00
Last Full Measure (A Gettysburg Remembrance) - Timpani $6.00

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Description
Commemorating the 150th anniversary of the Battle of Gettysburg, this medley of Civil War-era tunes is cast in a unique and appealing setting for young bands. "The Girl I Left Behind Me" (tin whistles are optional), "When Johnny Comes Marching Home" and the tender "Johnny Has Gone for a Soldier" express longing and hope for loved ones far away. In contrast, "Battle Cry of Freedom" and "Battle Hymn of the Republic" inspire feelings of patriotic resolve and courage. A rousingly effective work! (Grade 2.5) Dur: 5:10

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00272272

More about this title

About the Composer: Michael Sweeney

Michael Sweeney is a prolific composer and arranger whose work defines accessible, performance-ready music for young bands. His arrangements have become standards in school music programs because they combine musical substance with practical considerations for developing ensembles. Sweeney's gift for orchestration ensures that every section has meaningful material, never relegating younger players to padding or rests.

Why we love this

Sweeney threads five distinct melodies into a single, unified statement without feeling scattered or patchwork. The score respects Grade 2.5 ensembles while never condescending; parts sit comfortably in young players' hands, yet the harmonic language and orchestration create genuine depth. This is the kind of piece that audiences connect with immediately because the tunes are familiar, but the arrangement reveals how fresh and moving those melodies become under thoughtful treatment.

What to expect

The opening carries a wistful, almost folksy simplicity that draws listeners in. As the medley unfolds, energy builds and recedes like waves, moving from tender homesickness through martial resolve and back to reflection. By the final measures, you hear not just a collection of familiar songs but a cohesive emotional arc that speaks to sacrifice, longing, and hope.

Who it's for

Young band directors seeking music that honors American history without becoming a social studies lesson. Ensembles ready for Grade 2.5 material that demands attention to phrasing, balance, and stylistic nuance will find this piece rewarding to rehearse and satisfying to perform.

How to get the most out of it

  • Balance the tin whistle solos in 'The Girl I Left Behind Me' against the ensemble by asking your front row to play with lighter dynamics; the intimate quality matters more than volume.
  • Shape the 'Battle Hymn of the Republic' chorale by thinking of it as a sung hymn rather than a march. Allow subtle room for breath between phrases and resist rushing the quarter note pulse.
  • Commit fully to the contrast between sections. The longing in 'Johnny Has Gone for a Soldier' gains power precisely because it follows the energy of 'When Johnny Comes Marching Home.' Make that shift deliberate.
  • Use the recorded accompaniment to anchor rhythm section fundamentals during sectional rehearsals, especially in passages where woodwind and brass counterlines overlap.

How to use it

Position this as an ideal centerpiece for a patriotic or historical-themed concert, or use it as the anchor for a program exploring American band literature. The five-minute duration and moderate difficulty make it a natural fit alongside lighter concert openers or as a powerful conclusion to a first half. Consider programming it for Memorial Day, Veterans Day, or any concert celebrating your community's connection to American heritage.

Skills your students will build

  • Contrasting articulation between march and hymn styles
  • Balancing solo voice against ensemble texture
  • Shaping longer melodic lines with purposeful phrasing
  • Maintaining rhythmic precision during sectional transitions
  • Understanding how medley form functions as a narrative device

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