Last Christmas Cover Image

Last Christmas: SAB Choral Octavo

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Last Christmas Cover Image

Last Christmas: SAB Choral Octavo

Words and music by George Michael / arr. Greg Gilpin

Item: 00-35730

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Description
The cast of Glee featured this wonderful George Michael Wham! hit during their holiday show. Spotlights an opening solo over cool back-ups, with a soaring male/female descant later on.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Last Christmas: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081399263
SKU: 00-35730

More about this title

About the Composer: George Michael

George Michael (1963-2016) was a British singer-songwriter and member of the pop duo Wham!, later achieving massive solo success. His sophisticated approach to pop songwriting combined infectious melodies with thoughtful arrangements and socially conscious lyrics, making him one of the most significant pop artists of the 1980s and 1990s. His work remains a staple of popular music education and continues to resonate across generations.

Why we love this

Greg Gilpin's arrangement captures the energy and melodic brilliance of this pop standard while making it genuinely singable for three-part mixed choirs. The spotlight on an opening solo followed by layered vocal textures gives every section meaningful material, and the soaring descant provides a moment of real musical payoff that students will love performing.

What to expect

This arrangement captures the infectious energy and emotional warmth of the original while maintaining a modern pop sensibility. Singers experience the satisfaction of layered harmonies and moments of real musical independence, creating a piece that feels both fun and genuinely musical.

Who it's for

SAB choirs of all ages will find this arrangement accessible and rewarding. It works equally well in middle school, high school, and community choral settings where singers appreciate contemporary pop material with substance.

How to get the most out of it

  • Balance the opening solo carefully so it sits above the background voices without overwhelming them; the cool back-up parts should support without shadowing the lead line.
  • Lock in the rhythmic precision of the pop groove from the first rehearsal; this arrangement thrives on crisp articulation and tight ensemble work.
  • Shape the descant section with genuine soaring energy; this is the emotional peak of the piece and deserves room to breathe and shine.
  • Use the recorded accompaniment during rehearsal to help singers internalize the grooves and harmonic movement, then gradually transition to live piano or full accompaniment.

How to use it

Program this as an anchor for a holiday concert's contemporary section, or pair it with other accessible pop arrangements to demonstrate how quality songwriting translates across musical styles. It also works beautifully in winter or end-of-year concerts where you want to showcase your choir's range beyond classical repertoire.

Skills your students will build

  • Balancing solo and ensemble textures
  • Singing syncopated rhythms in a pop/contemporary context
  • Executing three-part mixed voicing with clarity
  • Sustaining ensemble precision in rhythmically driven music
  • Performing layered descant parts independently

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