Largo from Symphony "From the New World" Cover Image

Largo from Symphony "From the New World": Concert Band Conductor Score

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Largo from Symphony "From the New World" Cover Image
Largo from Symphony "From the New World": Concert Band Conductor Score

Largo from Symphony "From the New World": Concert Band Conductor Score

For Soloist and Concert Band

By Antonín Dvorák / arr. David Marlatt

Grade: 2

Item: 81-CB29149S
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Description
The principal lyrical theme from Dvorák' s second movement is equal in fame and popularity to Pachelbel's Canon and Albinoni's Adagio. This incredibly simple and beautiful theme has been arranged here for a soloist (Flute, Clarinet, Alto Saxophone, Trumpet or Baritone) and band. This is a great piece to showcase the talents of a member in the ensemble.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 12
ISBN10: 1-55473-428-2
ISBN13: 978-1-55473-428-3
UPC: 685462014293
SKU: 81-CB29149S

More about this title

About the Composer: Antonín Dvorák

Antonín Dvorák (1841-1904) stands as one of the most performed Romantic composers, and his gift for melody remains unmatched. His "From the New World" Symphony, written during his time in America, blends European Romantic language with American folk influences and has secured a permanent place in concert repertoires worldwide.

The Largo movement's principal theme has transcended its symphonic origins to become a cultural touchstone, recognized instantly by audiences across generations. Dvorák's mastery of orchestral color and his ability to craft unforgettable, singable lines make his works ideal for ensemble arrangement and teaching.

Why we love this

This arrangement captures one of classical music's most immediately gratifying melodies in a format that lets a single musician shine without demanding virtuosity. At Grade 2, it's accessible enough for developing ensembles yet noble enough to carry genuine weight in concert, and the flexibility of soloist choice means you can highlight whoever needs the spotlight that season.

What to expect

Gentle and expansive. The melody unfolds with an almost hymn-like simplicity, supported by warm harmonic cushioning that feels both noble and intimate. There's a natural sense of longing in the line that invites listeners to settle into the beauty of sustained tones and uncomplicated emotional honesty.

Who it's for

Any director looking to build confidence in a developing musician through a universally loved melody that doesn't require technical gymnastics. Works equally well for flute and clarinet players in younger ensembles, as well as intermediate saxophone or trumpet players seeking a graceful recital vehicle.

How to get the most out of it

  • Balance the soloist's legit lyrical line against the band's harmonic foundation; the supporting parts should recede enough to let the melody breathe without sounding hollow.
  • Shape the phrase in long arcs rather than bar by bar. Dvorák's melody wants to soar, so encourage the soloist to think in 4 and 8-bar units and resist choppy phrasing.
  • Warm the band's accompaniment texture by maintaining full tone in sustained chords. Pale or thin supporting voices will undercut the soloist's moment.
  • Give the soloist space to settle emotionally into the opening statement before building ensemble support; a brief moment of solo exposure establishes character.

How to use it

Place this early in a concert to establish an intimate mood and feature a developing soloist. It pairs beautifully with other Romantic arrangements or lighter contemporary works, and works well as a springboard into a more dramatic second half. The piece also functions as a meaningful centerpiece for a concert celebrating a particular musician or soloist showcase.

Skills your students will build

  • Sustained legato phrasing across phrases of 4 and 8 bars
  • Shaping a simple melody with direction and intent
  • Solo performance confidence with ensemble support
  • Listening to and balancing against accompanying parts
  • Maintaining full, resonant tone at moderate dynamic levels

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