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Largo: Brass Quintet Score & Parts

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Largo: Brass Quintet Score & Parts

from Symphony from the New Word

By Antonín Dvorák / arr. David Marlatt

Level: Medium

Item: 81-BQ18467

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Description
The principal theme from the second movement of this symphony is equal in fame and popularity to Pachelbel's "Canon" and Albinoni's "Adagio." This incredibly simple and beautiful theme has been arranged here for brass quintet and organ. (3:50)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-534-4
ISBN13: 978-1-77157-534-8
UPC: 685462025350
SKU: 81-BQ18467
Instrumentation: Brass Quintet & Organ

More about this title

About the Composer: Antonín Dvorák

Antonín Dvorák (1841-1904) was a Czech composer who drew deeply from his national musical heritage while achieving international acclaim. His ability to balance folk idioms with sophisticated symphonic form made him one of the most performed composers of the Romantic era, and his works remain central to the orchestral and chamber music repertoire.

Why we love this

This arrangement captures one of the most instantly recognizable melodies in classical music in a format that works beautifully for a brass ensemble. The organ accompaniment provides harmonic depth and allows the brass voices to sing with natural phrasing, making this an ideal choice for both festival competition and concert programming where you need immediate emotional impact.

What to expect

The music unfolds with quiet dignity and warmth, allowing the essence of Dvorák's melody to resonate without distraction. The organ's gentle support creates an intimate, almost devotional atmosphere that feels both timeless and immediately moving.

Who it's for

This arrangement suits brass quintets with solid fundamentals and experience balancing melody against harmonic accompaniment. It works equally well for advanced high school ensembles and college or professional groups seeking repertoire that demonstrates musical maturity without technical pyrotechnics.

How to get the most out of it

  • Shape the melody with long-line breathing; treat each phrase as a singing line rather than separate articulations, letting the organ anchor the harmonic foundation.
  • Balance the opening statement between first and second trumpet so the theme emerges clearly without the lead voice overwhelming the ensemble blend.
  • Work with your organist on tempo consistency and pedal clarity; the organ's sustained harmonies will either support or obscure the brass intonation depending on registration and voicing choices.
  • Approach dynamics conservatively in the exposed passages; the simplicity of the material means every breath and dynamic shift will be heard, so practice chamber-level communication and control.

How to use it

Program this as a contrasting centerpiece in a mixed brass ensemble concert, or open a recital with it to establish a reflective mood before moving into more demanding works. Its three-minute-fifty-second length makes it an ideal concert closer that leaves audiences with something memorable and emotionally grounded.

Skills your students will build

  • Ensemble intonation and balance with sustained organ accompaniment
  • Long-phrase singing technique on brass instruments
  • Dynamic control in exposed, lyrical passages
  • Collaborative communication between independent brass voices
  • Interpretation of simple material with musical maturity

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