Larghetto for Horn and Orchestra Cover Image

Larghetto for Horn and Orchestra: Full Orchestra, Solo Brass with Ensemble, Conductor Score

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Larghetto for Horn and Orchestra Cover Image

Larghetto for Horn and Orchestra: Full Orchestra, Solo Brass with Ensemble, Conductor Score

By Emmanuel Chabrier

Item: 36-A675001

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Description
Emmanuel Chabrier (1841-1894), the French lawyer-turned-self-taught-composer wrote his LARGHETTO for Horn in 1875. Resembling an opera aria for French Horn, the work is very lyrical and achingly expressive, calling to mind a lament sung by an alto or tenor. The work was first performed on May 5, 1877, in Paris at Salle Pleyel, with Jean-Henri Garigue playing horn and accompanied by the orchestra of the Société nationale de musique. The work was not published in Chabrier's lifetime, however, and it was only rediscovered amongst his possessions after he passed. Instrumentation: 2.2.2.2: 0.0.0.0: Timp: Str (9-8-7-6-5 in set): Solo Horn in set. Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810004-3
ISBN13: 979-889-810-0049
UPC: 605258996121
SKU: 36-A675001
Instrumentation: 2.2.2.2: 0.0.0.0: Timp: Str (9-8-7-6-5 in set): Solo Horn in set

More about this title

About the Composer: Emmanuel Chabrier

Emmanuel Chabrier (1841-1894) began his career as a French government lawyer before abandoning law entirely to pursue composition. Largely self-taught in musical theory and orchestration, he developed a distinctive harmonic language that blended Romantic lyricism with impressionistic color, earning respect from both contemporaries and later composers. His relatively brief life and small output have not diminished his influence on French musical culture.

Why we love this

This work reveals Chabrier's gift for writing soaring, singing lines that feel operatic without relying on words. The orchestration is lean and transparent, allowing the horn soloist to shine while the ensemble provides expressive harmonic support, making it an ideal choice for featuring a strong hornist without overwhelming the ensemble balance.

What to expect

A mournful song without words, tender and introspective. The horn voice floats above an understated orchestral backdrop, creating an intimate yet deeply expressive soundscape that feels like a character's soliloquy from a Romantic-era opera.

Who it's for

Conductors with a capable solo hornist and orchestras seeking repertoire that showcases brass virtuosity within a chamber-like orchestral setting. This score works well for orchestras of varying sizes and is particularly valuable for programs emphasizing 19th-century French composers.

How to get the most out of it

  • Shape the horn line with the phrasing of a vocal artist; this piece asks for long, connected phrases that breathe like an aria rather than an instrumental display.
  • Let the timpani and strings establish a steady emotional foundation so the soloist can sing freely without rushing or dragging.
  • Balance the solo horn carefully so it projects expressively while remaining song-like rather than aggressive or brilliant in character.
  • Attend to the harmonic shifts in the accompaniment, particularly in the strings, as Chabrier's subtle voice-leading can easily disappear if the ensemble plays without tonal awareness.

How to use it

Program this as a soloist feature on a concert built around French orchestral works or as a poignant intermission piece. Its modest orchestration and moderate length make it an effective anchor for a program exploring Romantic horn literature or 19th-century salon music.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and vibrato control
  • Balancing solo projection with ensemble transparency
  • Responding to subtle harmonic and dynamic shifts in the accompanying voices
  • Reading and conducting scores with lean orchestration that demands precise intonation and balance

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