Lambert Concerto (for Violin and String Orchestra): String Orchestra Conductor Score & Parts
By Brian Krinke
Grade: 2
Item: 35-PK01513604
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Why we love this
Krinke writes with deep understanding of what young soloists need: material that sounds accomplished without requiring virtuosic technique. The expanded string harmonies in this version transform a solo vehicle into genuine chamber music, giving your orchestra members real stakes in the performance rather than relegating them to pure accompaniment.
What to expect
Approachable and encouraging. The writing sits comfortably under the fingers while offering genuine moments of lyrical beauty. There's an inherent warmth in the orchestration that supports rather than intimidates the young soloist.
Who it's for
Young violinists preparing their first concerto experience, along with school orchestras eager to feature a solo player without the demands of a traditional full concerto repertoire. The grade 2 level keeps technical barriers low while the concerto form teaches essential performance skills.
How to get the most out of it
- Spend rehearsal time balancing the violin soloist against the string body. At this grade level, the orchestra can easily overwhelm, so clarity of the solo line should guide your dynamic choices.
- Mark the conductor score with entrance cues for your soloist, and establish those moments in rehearsal so the violinist feels secure navigating the transitions.
- Encourage the soloist to listen actively during sectional rehearsals. When they hear how the violas and second violins support their melodic material, confidence grows alongside musical understanding.
How to use it
Feature this as a concerto showcase concert where your young violinist takes a moment in the spotlight with peers providing musical support. It also works beautifully as a bridge repertoire piece, introducing the concerto genre before students encounter standard concert literature.
Skills your students will build
- Playing as a soloist within an ensemble context
- Balancing tone and projection over accompaniment
- Following and responding to orchestral cues
- Sustaining lyrical phrasing at a moderate tempo
- Listening to harmonic support and using it as an anchor