La Traviata (complete) Cover Image

La Traviata (complete): Serious Opera, Orchestra Accompaniment, Full Score

$225.00 USD
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La Traviata (complete) Cover Image

La Traviata (complete): Serious Opera, Orchestra Accompaniment, Full Score

By Giuseppe Verdi, Italian libretto by Francesco Maria Piave

Item: 36-A234101

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Description
LA TRAVIATA (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled VIOLETTA, after the main character. Librettist Maria Piave and composer Giuseppe Verdi (1813-1901) wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880's that the composer's and librettist's original wishes were carried out and "realistic" productions were staged. LA TRAVIATA has become immensely popular and is among the most frequently performed of all operas. Instrumentation: 2(both dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set): Banda (Picc, 2 PiccCl, 2 Cl, 2 Hn, 3 Tpt, Flic, 2 Tbn, Tuba, Tamb): Vocal Soli (12 roles, SSATTTBBBBBB): Chorus. Reprint edition.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887659-2
ISBN13: 978-1-63-887659-5
UPC: 735816300791
SKU: 36-A234101
Instrumentation: 2(both dPicc).2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4.4.3.3.3 in set): Banda (Picc, 2 PiccCl, 2 Cl, 2 Hn, 3 Tpt, Flic, 2 Tbn, Tuba, Tamb): Vocal Soli (12 roles, SSATTTBBBBBB): Chorus

More about this title

About the Composer: Giuseppe Verdi

Giuseppe Verdi (1813-1901) shaped the course of operatic history through sheer dramatic instinct and orchestral command. His gift lay in creating characters who sing exactly what they need to sing at each moment, without artifice or padding, a directness that made his work immediately beloved across Europe and America.

Verdi's compositional approach evolved dramatically over his career. Early works like Rigoletto prioritized vocal melody and direct emotional impact; later operas including La Traviata demonstrated his growing sophistication with orchestration, harmonic language, and dramatic pacing. He understood orchestras as partners in storytelling, not accompanists.

Why we love this

La Traviata demands everything from an opera orchestra: rhythmic precision, lyrical warmth, dramatic timing, and the ability to support twelve vocal soloists without drowning them. The score rewards thorough preparation with performances that feel both inevitable and alive. Directors consistently choose it because audiences recognize the music instantly, yet the emotional complexity runs deeper than that familiarity suggests.

What to expect

The opening prelude is chamber music disguised as orchestra work, intimate and searching. The opera shifts quickly into salon charm, social intrigue, and genuine passion, with moments of surprising tenderness between the big ensemble pieces. Violetta's arc from defiance to resignation colors everything the orchestra plays, creating a score that feels both celebratory and elegiac.

Who it's for

Orchestras and opera companies with the instrumentation and vocal depth to mount a complete production. This full score serves conductors preparing for serious professional or advanced academic performances where the music must speak with authority and nuance. Music directors in university opera programs and regional opera houses will find this essential repertoire.

How to get the most out of it

  • Balance the brass and woodwind sections carefully during the choral numbers; the banda (stage band) music requires separation from the orchestra so both remain audible.
  • Shape the Act I Prelude with attention to the cello and violin duet that opens it; this gesture returns throughout the score and anchors the opera's emotional core.
  • Support your tempo choices with the strings. Verdi's pacing often hinges on whether violins push forward or settle back; coordinate section leadership early.
  • Mark entrances for twelve solo voices in your score before rehearsals begin; the conductor must see them coming from measures away to breathe, gesture, and cue effectively.

How to use it

Coordinate this with a complete opera production rather than concert performance. If you're staging a mainstage opera season, La Traviata's perennial audience appeal and substantial orchestral writing justify the full rehearsal investment. Consider pairing it with a shorter contemporary work in the same season to create meaningful artistic contrast.

Skills your students will build

  • Reading and executing sophisticated dynamic layering across full orchestration (4.4.3.3.3 strings plus mixed winds and brass)
  • Conducting singers and orchestra simultaneously while maintaining ensemble clarity
  • Responding to vocal phrasing and breath without losing orchestral continuity
  • Managing stage band (banda) coordination separate from pit orchestra
  • Sustaining focus through three-act structure with varying dramatic tempos and energy levels

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