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La petite danseuse: String Orchestra Conductor Score & Parts

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La petite danseuse: String Orchestra Conductor Score & Parts

By Elliot Del Borgo

Grade: 1.5

Item: 98-ST6006

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Description
First-year players will enjoy this very easy and energetic piece in D major using only the first three strings. Repetitive rhythms and solid scoring help guarantee success with your beginning string orchestra. Highly recommended.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398206841
SKU: 98-ST6006

More about this title

About the Composer: Elliot Del Borgo

Elliot Del Borgo has spent decades writing music that speaks directly to the realities of school orchestras. His ear for what young players can actually accomplish, combined with his instinct for writing melodies that stick, has made him a go-to composer for directors building programs from the ground up.

Del Borgo understands that success breeds confidence. His scores for beginning ensembles prioritize clear victories: achievable passages, singable lines, and moments where students can hear themselves making real music. That philosophy runs through his entire catalog, from easy teaching pieces to contest-worthy arrangements.

Why we love this

Del Borgo has written a piece that sounds genuine without asking for skills your first-year players don't have yet. The D major tonality and first-position-only fingering keep technical demands light, so the focus stays on ensemble listening, rhythmic precision, and producing a balanced sound. Programming this on a fall concert gives students a real win to build on.

What to expect

Bright and propulsive. The piece bounces forward with an infectious energy that feels almost dance-like, even at modest tempos. Young players hear their own contribution clearly, which makes the whole ensemble feel alive.

Who it's for

Beginning string orchestras tackling their first concert season. This works beautifully for groups with mixed experience levels, since it sits comfortably in the hand of every string player without leaving more advanced students bored.

How to get the most out of it

  • Lock the opening unison figure as your rhythmic anchor. Have the ensemble tap it silently before you start, so the pulse is internalized before the first note sounds.
  • Let the repetitive rhythms breathe. Resist the urge to push tempo; the energy comes from clean articulation and committed ensemble playing, not speed.
  • Balance the viola and cello lines carefully in the middle sections. Young string players often get lost when they're not carrying the melody, so mark those entrances clearly and give them confidence in rehearsal.
  • Check intonation on the D major chord frequently. With limited string positions, tuning slips quickly, so a few seconds of focused vertical listening each rehearsal pays off.

How to use it

Pair this with a slower, more lyrical piece to show range and contrast on your first concert. Its shortness and accessibility also make it ideal for young audiences or school assemblies where you want to make a strong impression without taxing your ensemble.

Skills your students will build

  • Playing in first position across all four strings
  • Maintaining steady ensemble rhythm using repetitive patterns
  • Balancing unison and harmonic textures
  • Reading and executing D major tonality with confidence
  • Responding to conducting cues in energetic tempos

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