La Perichole: Paraphrase on the Operetta Cover Image

La Perichole: Paraphrase on the Operetta: Full Orchestra Conductor Score

$25.00 USD
Sale price  $25.00 USD Regular price 
Skip to product information
La Perichole: Paraphrase on the Operetta Cover Image

La Perichole: Paraphrase on the Operetta: Full Orchestra Conductor Score

By Jacques Offenbach, ed./arr. Rudolph Goehr

Item: 36-A789901

$25.00
Shipped

One moment…

Description
La Périchole: Paraphrase on the Operetta by Jacques Offenbac (1819-1880)h was composed in the mid-20th century by Rudolph Goehr (1906-1981), an Austrian-born British composer and conductor known for his work in theater and light orchestral repertoire. Drawing on themes from Offenbach's opéra-bouffe La Périchole (1868), itself set in 18th-century Peru, Goehr's paraphrase follows the long tradition of transforming popular operatic material into concert works. Instrumentation: 2(2nd dPicc).2.2.2: 3Sax(AAT): 4.3.2.0: Timp.Perc(3): Str (9.8.7.6.5 in set). Reprint edition.

La Perichole: Paraphrase on the Operetta: Full Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: EDWIN F KALMUS
ISBN13: 979-890-420-0909
UPC: 604634031890
SKU: 36-A789901
Instrumentation: Full Orchestra

More about this title

About the Composer: Jacques Offenbach

Jacques Offenbach (1819-1880) was a German-born French composer who essentially invented the opéra-bouffe, a genre that blended operatic sophistication with satire, humor, and infectious melodies. His gift for writing memorable tunes and his sharp wit made works like La Périchole enormously popular across Europe, and his influence on both musical theater and concert music proved lasting.

Offenbach's melodic gift extended far beyond the stage. His themes were so appealing that they became natural material for concert paraphrases and arrangements, attracting arrangers and composers throughout the 20th century who saw in his work both accessibility and genuine musical substance.

Why we love this

Goehr's paraphrase captures the theatrical sparkle of Offenbach's original while reshaping it for a full concert orchestra, complete with saxophones that add a mid-century sensibility to 19th-century charm. The writing displays real orchestral craft: familiar melodies emerge from varied instrumental combinations, keeping the ensemble engaged and giving every section moments to shine. Programming this work offers your audience an evening of infectious melody and sophistication without requiring singers.

What to expect

Elegant salon orchestration meets Parisian gaiety. The work sparkles with melody and buoyant rhythms while maintaining the transparency of early 20th-century light orchestral writing. Expect moments of genuine charm alongside displays of orchestral color and wit.

Who it's for

Conductors leading orchestras with solid technical ability and complete woodwind, brass, and saxophone sections seeking concert repertoire that combines genuine sophistication with immediate audience appeal. This score works equally well for a community orchestra wanting to program something more refined than pops arrangements or a youth orchestra ready to tackle full orchestration and stylistic nuance.

How to get the most out of it

  • Balance the woodwind doublings carefully so that the first oboe and flutes don't disappear when the saxophones enter the same passage. The paraphrase relies heavily on instrumental color, so each timbral choice matters.
  • Shape phrases with attention to the operatic origin of the material. These melodies belong to singers, so your string and wind players should phrase with vocal sweep rather than emphasizing articulation.
  • Coordinate the percussion section early in rehearsals. Three percussionists managing timpani, cymbals, and lighter effects require clear cuing and confidence from the timpanist in particular.
  • Let the accompaniment figures breathe slightly. The light orchestral tradition that Goehr inherited values clarity over relentless precision, so occasional gentle rubato in the accompaniment will enhance rather than undermine the music's character.

How to use it

This paraphrase pairs beautifully in a concert devoted to music drawn from the stage, whether you're building a night around operatic transcriptions or exploring how composers reimagine familiar material for concert performance. Its moderate length and tuneful character make it an ideal anchor for a pops concert that aims to please without sacrificing musical substance.

Skills your students will build

  • Orchestral color and balance across eight different instrumental families (including saxophones)
  • Phrasing operatic material idiomatically when adapted for instruments
  • Maintaining momentum through light, rhythmic accompaniment figures
  • Coordination among multiple percussion parts and precise timpani cuing

You May Also Like