La Fauvette Passerinette Cover Image

La Fauvette Passerinette: Piano Score

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La Fauvette Passerinette Cover Image

La Fauvette Passerinette: Piano Score

By Olivier Messiaen / reconstructed by Peter Hill

Item: 12-057153905X

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Description
Faber Music is thrilled to publish this previously undiscovered work for piano by Olivier Messiaen. Believed to be the first publication of a piece by Messiaen produced by a British publisher. The discovery came about as a result of research into Messiaen sketches by esteemed Messiaen biographer and pianist Peter Hill. Hill was delighted to find a virtually complete 11 minute work for piano dating from 1961 which possibly was intended to be part of a second Catalogue d'oiseaux. This project was never in the end pursued as a result of other prestigious commissions the composer received at that time. A certain amount of detective work was required to complete the piece but Hill believes he now has exactly what Messiaen intended. La Fauvette Passerinette has been received with great excitement by the Messiaen fraternity of pianists and also by the press reviewing Peter Hill's subsequent recording of the piece.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53905-X
ISBN13: 978-0-571-53905-5
UPC: 9780571539055
SKU: 12-057153905X

More about this title

About the Composer: Olivier Messiaen

Olivier Messiaen (1908-1992) was a French composer, organist, and ornithologist whose harmonic language and spiritual intensity shaped twentieth-century music. His fascination with birdsong led him to notate and transcribe thousands of bird species, which he then wove into his compositions with meticulous detail. His teaching at the Paris Conservatoire influenced generations of composers, and his insistence on direct observation of nature transformed how composers approached both orchestration and melodic invention.

Why we love this

This is a genuine discovery: an eleven-minute Messiaen work from 1961 that remained unknown until Peter Hill's archival research, now carefully restored and published for the first time. Pianists will find the piece remarkably accessible compared to some of Messiaen's more demanding works, yet it retains his unmistakable voice and harmonic sophistication. Programming this piece signals serious musical curatorial judgment and offers audiences a rare encounter with an authentic Messiaen composition most have never heard.

What to expect

La Fauvette Passerinette unfolds like a meditation on a single bird, combining crystalline passages of rapid figuration with moments of profound stillness. The harmonic palette shifts between luminous modal colors and unexpected harmonic juxtapositions, evoking both the delicate specificity of natural observation and a deeper spiritual contemplation. The work feels both intimate and expansive, rewarding attentive listening with layers of melodic and coloristic detail.

Who it's for

Advanced pianists drawn to twentieth-century music and Messiaen's aesthetic will find a substantial, rewarding work at roughly the technical level of the Catalogue d'oiseaux. This piece serves both solo recitalists seeking distinctive repertoire and advanced students ready to grapple with Messiaen's harmonic language and philosophical approach to composition. Teachers working with mature pianists can use this as a bridge to understanding Messiaen's later, larger works.

How to get the most out of it

  • Study Peter Hill's recording alongside the score; Hill's restoration work and interpretive insights are invaluable guides to Messiaen's intentions, especially regarding the piece's structural architecture.
  • Approach the bird-inspired passages with clarity and independence of line; Messiaen's ornithological writing demands that each melodic strand retain its own character even when voices overlap.
  • Balance the harmonic color against clarity; Messiaen's modal and synthetic harmonic language can cloud if the pedal obscures register definition, so practice sustaining sonority without muddying attacks.
  • Honor the rhythmic freedom in cadential and transitional sections; Messiaen notates specific rhythmic values but allows performers space to breathe between harmonic blocks.

How to use it

This piece works beautifully as the centerpiece of a twentieth-century piano recital, or paired with other works exploring nature and spirituality in modern classical music. Its eleven-minute span makes it suitable as a substantial concert offering without overwhelming program architecture. Consider programming it alongside other French modernist works or as a standalone feature when highlighting discovery and restoration in classical music.

Skills your students will build

  • Reading Messiaen's synthetic harmonic language and modal writing
  • Managing pedal control with dense, shifting harmonic colors
  • Executing rapid figurative passage work with rhythmic precision and clarity of line
  • Interpreting notated rhythmic values with expressive freedom in cadential sections
  • Understanding ornithological imagery as a compositional and interpretive framework

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