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La Cumparsita Tango: 4 Clarinets & Bass Clarinet Score & Parts

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La Cumparsita Tango Cover Image

La Cumparsita Tango: 4 Clarinets & Bass Clarinet Score & Parts

By Gerardo Matos Rodríguez / arr. David Marlatt

Level: Medium-Difficult

Item: 81-CC19118

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Description
La Cumparsita Tango was written by Uruguayan composer Gerardo Matos Rodríguez in 1919. It is one of the most famous and recognizable tangos of all time.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-580-8
ISBN13: 978-1-77157-580-5
UPC: 685462025817
SKU: 81-CC19118

More about this title

About the Composer: Gerardo Matos Rodriguez

Gerardo Matos Rodriguez (1897-1948) was a Uruguayan composer and musician who created one of the most enduring works of the tango tradition. Born in Montevideo, he composed La Cumparsita in 1919 at age 22, a piece that would become synonymous with tango worldwide and secure his place in music history.

Rodriguez's masterpiece transcends its national origins. La Cumparsita has been performed, recorded, and arranged thousands of times across every genre and instrumentation imaginable, making it a touchstone of both classical and popular music education. Its structural clarity and emotional directness make it ideal for teaching tango style, rhythmic sophistication, and the interplay between melody and harmonic support.

Why we love this

This arrangement transforms an icon into a genuine chamber work for the clarinet choir. Marlatt's scoring gives each voice a moment to lead while maintaining the tango's propulsive character, making it engaging for players at varying positions within the section and rewarding for audiences who think they know this piece inside out.

What to expect

Sultry and propulsive. The piece alternates between moments of yearning, almost wistful melody and driving, rhythmically insistent passages that propel the ensemble forward with cinematic energy. There's an elegance to tango that doesn't require virtuosity to convey; instead, it demands poise, precision, and an understanding that space and silence matter as much as the notes themselves.

Who it's for

Intermediate to advanced clarinet sections seeking repertoire that combines technical challenge with immediate musical payoff. This works for youth orchestras, college bands, adult amateur clarinet choirs, and advanced high school ensembles who have developed secure intonation and rhythmic independence.

How to get the most out of it

  • Establish the tango rhythm as a collective groove from the opening. The characteristic syncopation only lands when all four clarinets lock into the same metric feel; rehearse the rhythm section (including bass clarinet) separately before layering the melody.
  • Shape the phrasing in 4-bar and 8-bar units rather than measure-to-measure. Tango phrasing lives in longer arcs, and this architecture will give the performance direction and prevent rhythmic fragmentation.
  • Balance the upper clarinets carefully when the melody passes between voices. Avoid the trap of treating first clarinet as the "important" part; pass the line with equal confidence and vibrato consistency so listeners follow the tune, not the player.
  • Breathe together at marked phrase breaks. Simultaneous breath creates the dramatic punctuation that tango demands, especially in transitions between sections.

How to use it

Program this as a concert closer or as part of a themed set on Latin American music. It pairs effectively with other tango arrangements, folk music from the region, or modernist works that engage with vernacular traditions. The piece is familiar enough that audiences settle into listening immediately, making it ideal for community concerts or pops programs.

Skills your students will build

  • Tango rhythmic vocabulary and syncopation
  • Balancing melody and accompaniment in ensemble textures
  • Collective rhythmic precision across four independent voices
  • Shaping longer phrases and understanding sectional form
  • Intonation control in sustained harmonic contexts
  • Stylistic interpretation of early 20th-century Latin American music

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