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La Cenerentola (Cinderella), An Opera in Two Acts: Vocal Score

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La Cenerentola (Cinderella), An Opera in Two Acts Cover Image

La Cenerentola (Cinderella), An Opera in Two Acts: Vocal Score

For Solo, Chorus and Orchestra with Italian and English Text (Vocal Score)

By Gioacchino Rossini

Item: 00-K06397

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Description
Expertly arranged Vocal Score by Gioacchino Rossini from the Kalmus Edition series. This is from the Romantic era.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 360
ISBN10: 0-7692-4640-0
ISBN13: 978-0-7692-4640-6
UPC: 029156207149
SKU: 00-K06397

More about this title

About the Composer: Gioacchino Rossini

Gioacchino Rossini (1792-1868) revolutionized Italian opera through his gift for melody, rhythmic vitality, and comic timing. His career spanned the early 19th century, during which he composed 39 operas before retiring at 37, a decision that puzzled contemporaries but reflected his deliberate artistic choices. Rossini's influence on vocal writing, orchestration, and the structure of opera buffa remains foundational to music education and performance.

His works balance technical brilliance with emotional accessibility, making them enduring tools for teaching singers about bel canto principles, ensemble coordination, and theatrical musicianship. Teachers and directors return to Rossini because his music demands vocal control, dramatic clarity, and collaborative listening from every performer on stage.

Why we love this

La Cenerentola sits at the intersection of comedy and genuine vocal challenge. Unlike lighter comic operas, Rossini weaves sophisticated ensemble writing, rapid-fire patter passages, and moments of real lyrical beauty that engage singers at multiple levels. This vocal score gives cast members and coaches access to the full dramatic arc and musical relationships without requiring an orchestra.

What to expect

Rossini's score sparkles with orchestral color that sings through even in vocal score form. The music moves between moments of pure theatrical comedy—rapid-fire dialogue and slapstick ensemble numbers—and surprising emotional depth, particularly in Cinderella's vulnerability and the romantic duets. The overall effect is buoyant, elegant, and endlessly engaging.

Who it's for

Opera directors, chorus masters, vocal coaches, and advanced singers preparing ensemble pieces or leading roles in La Cenerentola. This vocal score serves both study and rehearsal purposes for programs ranging from fully staged productions to concert readings. Singers comfortable with Italian diction and Rossini's vocal idiom will find rich material for developing technique and dramatic expression.

How to get the most out of it

  • Study the ensemble sections with attention to text clarity and rhythmic precision; Rossini's comic timing depends on crisp articulation and synchronized phrase endings across multiple voice parts.
  • Approach the patter passages as comedic dialogue rather than vocal exhibition; the humor comes from character interaction and storytelling, not from rushing or oversinging.
  • Balance the vocal demands of leading roles carefully through rehearsal; soloists will need stamina for both lyrical passages and fioritura-heavy moments spread across a full score.
  • Use the vocal score to develop singers' awareness of orchestral cues and harmonic support, preparing them for eventual work with instrumental accompaniment or recorded orchestration.

How to use it

Mount this as a full opera production for advanced vocal ensembles, or extract scenes and ensemble numbers for concert programs exploring bel canto repertoire. The accessible story and famous melodies make it rewarding for community theater collaborations, and selected arias work beautifully in recital contexts. Consider pairing scenes with other Rossini works to showcase his range as a dramatist.

Skills your students will build

  • Singing rapid text-driven passages with clarity and character accuracy
  • Managing Rossini's decorative vocal writing and fioritura within musical phrase structure
  • Balancing ensemble parts to maintain clarity across overlapping vocal lines
  • Interpreting Italian operatic diction in comic and dramatic contexts
  • Reading and performing complex ensemble textures and dramatic timing cues from score
  • Collaborating in opera production contexts with attention to dramatic gesture and character relationships

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