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L'Organiste Pratique, Op. 57, Bk. 10: Organ, Methods, Book (LUDWIGMASTERS)

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L'Organiste Pratique, Op. 57, Bk. 10 Cover Image
L'Organiste Pratique, Op. 57, Bk. 10: Organ, Methods, Book (LUDWIGMASTERS)

L'Organiste Pratique, Op. 57, Bk. 10: Organ, Methods, Book (LUDWIGMASTERS)

By Felix Alexandre Guilmant

Item: 36-M370691
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Description
French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.

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Additional Details
Series: Master Organ Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852512-2
ISBN13: 979-8-88-852512-8
UPC: 676737789305
SKU: 36-M370691
Instrumentation: Organ

More about this title

About the Composer: Felix Alexandre Guilmant

Félix-Alexandre Guilmant (1837-1911) was a commanding figure in French organ music during the nineteenth century. He held the prestigious position of Professor of Organ at the Paris Conservatoire, where he shaped the next generation of French organists, most notably serving as mentor to the young Marcel Dupré. Guilmant's output was staggering in both volume and consistency, yet remarkably focused: he wrote almost exclusively for the organ, creating a legacy of pedagogical and concert works that became foundational to organ repertoire across Europe and North America.

Guilmant's compositional method emphasized accessibility without sacrificing musicianship. His cycle of instructional collections—including the twelve-book "L'Organiste Pratique"—was designed to serve the working church organist while simultaneously developing technical and interpretive skill. This balance between practical utility and artistic substance makes his music endure in today's studios and liturgical settings.

Why we love this

Book 10 of "L'Organiste Pratique" delivers exactly what Guilmant promised: pieces that work in real church and studio contexts while building genuine musicianship. The series spans from elementary to advanced levels across all twelve volumes, giving you a coherent pedagogical arc rather than isolated exercises. Organists trust Guilmant because his writing respects both the instrument and the player.

What to expect

Guilmant's voice is conservative yet warm, rooted in the French romantic organ tradition. These pieces balance formal clarity with expressive depth, offering moments of genuine lyricism within structures that reward disciplined interpretation.

Who it's for

Organists advancing beyond elementary repertoire who need reliable, musically substantial material for both church service and studio development. This book serves intermediate players building technical command and stylistic awareness without demanding virtuosity.

How to get the most out of it

  • Attend to registration carefully; Guilmant wrote with specific timbral colors in mind, and thoughtful stop choices transform the musical character of each piece.
  • Balance melodic lines against harmonic foundation using manual independence; this book assumes you're working toward greater facility at the keyboards.
  • Reference the complete twelve-volume series when planning study sequences; Book 10 assumes mastery of concepts introduced in earlier volumes.

How to use it

Position pieces from this book in a mixed recital program to establish a French nineteenth-century foundation, or draw from it consistently as part of a year-long curriculum that progresses through the complete "L'Organiste Pratique" series. Church musicians will find service pieces suitable for liturgical use across the year.

Skills your students will build

  • Manual independence and coordination across multiple keyboards
  • French romantic organ style and phrasing conventions
  • Registration choices that support musical intention
  • Intermediate harmonic understanding within functional tonal contexts
  • Stamina and control at moderate tempi and dynamic ranges

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