L'Arlésienne: Suite No. 1, GB 121/Op. 23bis Cover Image

L'Arlésienne: Suite No. 1, GB 121/Op. 23bis: Full Orchestra Conductor Score

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L'Arlésienne: Suite No. 1, GB 121/Op. 23bis Cover Image
L'Arlésienne: Suite No. 1, GB 121/Op. 23bis: Full Orchestra Conductor Score

L'Arlésienne: Suite No. 1, GB 121/Op. 23bis: Full Orchestra Conductor Score

By Georges Bizet, ed./arr. by Fritz Hoffmann

Item: 36-A118901
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L'Arlésienne: Suite No. 1, GB 121/Op. 23bis: Full Orchestra Conductor Score & Parts

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Description
L'Arlésienne: Suite no. 1, GB 121/Op. 23bis was assembled in 1872 by Georges Bizet (1838-1875) from his incidental music to Alphonse Daudet's drama L'Arlésienne, first staged that same year in Paris. Although the play itself was not a success, Bizet's music quickly gained independent life in the concert hall. The suite, premiered shortly after the stage production in 1872, draws on themes that evoke southern French folk character, including the famous "March of the Kings." The later editorial work of Fritz Hoffmann helped standardize the suite for modern performance. Today L'Arlésienne: Suite no. 1 stands as one of Bizet's most frequently performed orchestral works, firmly established in the standard repertoire. Instrumentation: 2.2(1st dEH).2.2: Asax: 4.4.3.0: Timp.Perc(1): Hp(or Pno): Str (9.8.7.6.5 in set) [can be played w/ 1.1(dEH).2.1: 2.2.1.0: Str (1.1.1.1.1)]. Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-898107-17-X
ISBN13: 979-8-898107-17-8
UPC: 605258957252
SKU: 36-A118901
Instrumentation: 2.2(1st dEH).2.2: Asax: 4.4.3.0: Timp.Perc(1): Hp(or Pno): Str (9.8.7.6.5 in set) [can be played w/ 1.1(dEH).2.1: 2.2.1.0: Str (1.1.1.1.1)]

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) was a French composer whose operatic genius emerged early but whose concert works proved equally enduring. Born in Paris and trained at the Conservatoire, Bizet composed with theatrical flair and melodic directness that bypassed academic formality. His career was marked by both triumph and frustration, Carmen became a defining work of the operatic canon, yet Bizet died just three months after its premiere, never knowing the fame it would achieve.

Beyond opera, Bizet's orchestral writing demonstrates his gift for color and character. L'Arlésienne stands as proof that incidental music, when written with his melodic invention and orchestral sophistication, transcends its original context entirely. For conductors and students, Bizet's scores reward close study; his orchestration is economical yet vivid, and his phrasing speaks directly without pretense.

Why we love this

L'Arlésienne Suite No. 1 occupies a unique place in the standard repertoire: it's immediately accessible to audiences and musicians alike, yet composed with genuine sophistication and orchestral craft. Bizet's gift for memorable melody shines throughout, particularly in the famous March of the Kings, while the suite's structural variety keeps both ensemble and conductor engaged across its movements. For orchestras seeking a crowning concert opener or a work that bridges classical tradition with popular appeal, this suite delivers both musical substance and the kind of applause that reminds you why you built this program.

What to expect

Sun-drenched and atmospheric, evoking the colors and rhythms of Provence through Bizet's masterful orchestration. The music moves from delicate, almost impressionistic moments to bold, processional grandeur, carrying the listener through landscapes both intimate and festive.

Who it's for

Orchestras of intermediate to advanced capability seeking a work that combines melodic charm with legitimate orchestral demands. This score suits directors programming concerts for general audiences, educational showcases, or pops concerts where musical substance matters as much as immediate appeal.

How to get the most out of it

  • Balance the woodwind timbres in the opening Prelude carefully; the delicate orchestration depends on transparent part writing rather than volume to carry.
  • Establish a clear rhythmic pulse in the March without letting it become mechanical; Bizet's original orchestral conception thrives on slight elasticity within a steady framework.
  • Take advantage of the optional instrumentation to suit your ensemble; the reduced scoring remains effective and opens this work to orchestras without a full complement.

How to use it

Open a concert with the Prelude to establish an elegant tone, or program the entire suite as a centerpiece that offers variety in character and instrumentation. The familiarity of themes like the March of the Kings makes this suite a natural choice for family concerts or fund-raising events where you want the orchestra to be heard at its best.

Skills your students will build

  • Orchestral balance and transparent part writing across woodwind, brass, and string sections
  • Maintaining rhythmic clarity and stylistic character within a flexible interpretive framework
  • Reading and conducting cross-rhythmic and syncopated figures characteristic of folk-influenced melodies
  • Coordination of optional instrumentation cues and part doubling decisions

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