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Kwang Hsu (Chinese March): Detailed Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set) Full Orchestra, Ensemble Works, Score

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Kwang Hsu (Chinese March) Cover Image
Kwang Hsu (Chinese March): Detailed Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set) Full Orchestra, Ensemble Works, Score

Kwang Hsu (Chinese March): Detailed Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set) Full Orchestra, Ensemble Works, Score

By Paul Lincke

Item: 36-A682699
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Kwang Hsu (Chinese March): Detailed Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set) Full Orchestra, Ensemble Works, Score & Parts

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Description
Carl Emil Paul Lincke (1866-1946) served as a composer and theater conductor. Thought of as the "father" of the Berlin operetta, he was best known for his operetta Frau Luna, though his Berliner Luft (Berlin Air) remains the unofficial anthem of Berlin, and The Glow-Worm from his operetta Lysistrata was later famously adapted by Johnny Mercer. His Kwang Hsü (Chinese March), while not well-known, is a solid march in the style of the early 20th century, and it is perfect for a program in need of a short work or something with which audiences may not already be familiar. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852113-5
ISBN13: 979-8-88-852113-7
UPC: 676737805661
SKU: 36-A682699
Instrumentation: Detailed Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2-3): Str (9-8-7-6-5 in set)

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About the Composer: Paul Lincke

Paul Lincke (1866-1946) shaped Berlin's theatrical music scene as both composer and conductor, earning recognition as a foundational figure in German operetta. His gift for melody and theatrical timing produced works that defined early 20th-century entertainment, from the enduring popularity of Berliner Luft (Berlin Air) to The Glow-Worm, which later found new life in English-language standards through Johnny Mercer's lyrics.

Beyond his celebrated operettas, Lincke composed instrumental works that showcase the same accessibility and craftsmanship audiences heard in his theater pieces. Kwang Hsü belongs to this body of orchestral writing, capturing the march idiom with clarity and forward motion.

Why we love this

Lincke's march arrives fully formed and uncomplicated, making it an ideal choice when you need something with genuine musical substance that won't demand excessive rehearsal time. The piece lets your orchestra feel the satisfaction of playing a well-proportioned form without the burden of unfamiliar harmonic language or structural complexity.

What to expect

Kwang Hsü unfolds with the crisp energy and approachable charm of a salon concert from the Belle Époque, invoking exoticism through its title without abandoning Lincke's native melodic language. The march format creates forward momentum, but the overall mood remains celebratory rather than bombastic, inviting audiences into a well-lit musical moment.

Who it's for

Conductors seeking a brief, stylistically straightforward orchestral work that performs well without requiring specialized interpretive preparation. This piece suits orchestras and concert bands looking to program something entertaining and historically grounded without the rehearsal demands of weightier contemporary scores.

How to get the most out of it

  • Balance the wind section's melodic line with the string accompaniment; Lincke's orchestration relies on clarity between these layers rather than dramatic dynamic contrast.
  • Maintain steady, buoyant tempo throughout; the march rhythm loses its character when dragged.
  • Shape phrases with gentle dynamic contours rather than stark terracing, keeping the style consistent with early 20th-century German popular music.

How to use it

Program this as a welcome palate cleanser between heavier works or as a standalone concert opener; its modest length and familiar instrumentation make it an ideal companion to longer symphonic works. Consider pairing it with other light orchestral fare from the same era to create a "concert pops" segment that demonstrates your ensemble's versatility.

Skills your students will build

  • Executing articulate, coordinated ensemble entrances across multiple wind and string sections
  • Maintaining steady pulse within a march idiom across varied instrumental colors
  • Balancing melodic projection with accompanying figures in a transparent orchestration

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