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Kowalchyk and Lancaster's Favorite Solos, Book 1: Piano Book

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Kowalchyk and Lancaster's Favorite Solos, Book 1 Cover Image

Kowalchyk and Lancaster's Favorite Solos, Book 1: Piano Book

9 of Their Original Piano Solos

By Gayle Kowalchyk and E. L. Lancaster

Level: Early Elementary / Elementary

Item: 00-39398

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Description
The contents of this book represent Gayle Kowalchyk and E. L. Lancaster's favorite sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. Several of the pieces contain optional duet accompaniments. This book contains 9 early elementary to elementary pieces. Titles: Back to School Boogie * Beautiful Things * First Cha-Cha-Cha * First Hoedown * First Waltz * Hurry, Halloween! * It Only Takes a Mouse * Midnight Shadows * Run, Mister Turkey!

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Additional Details
Series: Favorite Solos
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9082-8
ISBN13: 978-0-7390-9082-4
UPC: 038081441658
SKU: 00-39398

More about this title

About the Composer: Gayle Kowalchyk

Gayle Kowalchyk

Gayle Kowalchyk holds degrees in piano performance from Ohio University and Northwestern University, along with an Ed.D. in piano pedagogy from Teachers College, Columbia University. She has taught piano, class piano, and piano pedagogy at multiple universities including California State University, Northridge, Eastern Illinois University, Oklahoma Baptist University, and the University of Oklahoma. A sought-after clinician and adjudicator, she has presented at national conferences including the Music Teachers National Association, Music Educators National Conference, National Group Piano Symposium, and World Piano Pedagogy Conference.

With her husband Dr. E. L. Lancaster, Kowalchyk has authored over 300 educational piano books, among them Alfred's Premier Piano Course and Music for Little Mozarts. From 1981 to 1996, the pair taught students across all ages at their independent piano studio in Norman, Oklahoma. She currently serves as a clinician for Alfred Music and resides in the Los Angeles area.

Why we love this

Kowalchyk and Lancaster have distilled their decades of studio and pedagogical experience into nine solos that feel instantly familiar to young pianists yet remain engaging to teach. The variety here matters: you get seasonal pieces, dances in multiple styles, and character miniatures that actually appeal to early elementary players. The optional duet accompaniments transform what could be a solo recital piece into a collaborative experience, strengthening ensemble awareness at an age when it's still developing.

What to expect

These pieces pulse with personality. You encounter a boogie with genuine swing, a mouse-themed story that bounces along, waltzes and hoedowns that let students experience dance tradition through their fingers, and character pieces that conjure Halloween mischief and holiday anticipation. The writing stays accessible without feeling thin; there's real musicality here, not just mechanical finger patterns.

Who it's for

Early elementary and elementary pianists preparing their first recital pieces, solo performances, or a collection of short works to build confidence and repertoire breadth. Teachers seeking material that bridges the gap between method books and more independent musical choices will find these solos responsive to student interests.

How to get the most out of it

  • Bring out the rhythmic swagger in pieces like Back to School Boogie and First Hoedown by being intentional about note grouping and dynamic shape rather than treating eighth notes as generic filler.
  • If performing with the optional duet accompaniment, establish the groove together during rehearsal before adding student interpretation; let the accompanist anchor the pulse so the soloist can focus on character and phrasing.
  • Use the seasonal and thematic titles as entry points for storytelling with your student; a piece called Hurry, Halloween! or Run, Mister Turkey! invites rhythmic urgency and character coloring that makes the music come alive.
  • Balance clarity in dance rhythms (the Cha-Cha, Waltz, and Hoedown) with natural phrasing; resist the temptation to make these feel mechanical just because they have traditional forms.

How to use it

Slot individual pieces into recitals or studio group performances throughout the year; the seasonal titles make natural programming anchors for holiday or thematic concerts. The optional duet arrangements offer flex for collaborative recital moments where a stronger student pianist can accompany a peer soloist. Use the variety across this book to help your students sample different musical moods and styles within a single period of study.

Skills your students will build

  • Playing with idiomatic rhythm and style across multiple genres (boogie, waltz, cha-cha, hoedown)
  • Reading and executing straightforward rhythmic patterns in simple and compound meters
  • Interpreting character and mood through dynamic contrast and phrasing
  • Collaborating as soloist with an accompanist (through the optional duet parts)
  • Building early sight-reading fluency with accessible, engaging melodic lines

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