Konzert fur Klavier und Schlagzeug Cover Image

Konzert fur Klavier und Schlagzeug: Keyboard Percussion Book

$9.95 USD
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Konzert fur Klavier und Schlagzeug Cover Image

Konzert fur Klavier und Schlagzeug: Keyboard Percussion Book

By Harald Genzmer

Level: Intermediate

Item: 98-EP8349A

$9.95
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Description
Konzert fur Klavier und Schlagzeug by Harald Genzmer.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
Page Count: 12
ISBN10: 0-01-406531-2
ISBN13: 979-0-01-406531-7
SKU: 98-EP8349A

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909–2007) was a German composer and pedagogue whose output encompassed chamber music, orchestral works, and educational pieces. He spent much of his career in Berlin and became known for compositions that balanced modern harmonic language with accessibility for performers and audiences alike.

Why we love this

This concerto pairs piano with percussion in a way that demands genuine musical collaboration rather than treating the percussion part as accompaniment. The 12-page scope makes it substantial enough to program on a recital or chamber concert without overshadowing a pianist's other work.

What to expect

The work unfolds with a modern sensibility that avoids both atonality and sentimentality. Interactions between the two instruments create textural interest and dialogue, with moments of lyrical writing counterbalanced by rhythmic vitality.

Who it's for

Intermediate pianists ready to engage with contemporary chamber repertoire and percussionists seeking works that integrate them into the musical fabric rather than relegating them to rhythmic support. This piece suits recital programs, student chamber concerts, and collaborative performance studies.

How to get the most out of it

  • Establish clear communication about the balance between instruments before rehearsals begin; the piano can easily cover the percussion part if both players don't commit to projecting equally.
  • Work through the rhythmic relationship between keyboard and percussion separately first, then gradually integrate the melodic and harmonic elements.
  • Treat the percussion part as fully thematic material rather than textural filler; this changes how both performers approach phrasing and dynamic shaping.

How to use it

Feature this on a chamber music recital or collaborative student concert where you want to highlight the percussion section beyond their ensemble roles. It works especially well in a program that explores contemporary approaches to traditional chamber combinations.

Skills your students will build

  • Balancing two independent instrumental lines with different weight and projection demands
  • Reading and performing modern harmonic language
  • Coordinating rhythmic independence between keyboard and percussion parts
  • Developing sensitivity to tone production in a duo context

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