Kol Nidrei, Op. 47 for Alto Saxophone and Band Cover Image

Kol Nidrei, Op. 47 for Alto Saxophone and Band: Concert Band Conductor Score & Parts

$85.00 USD
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Kol Nidrei, Op. 47 for Alto Saxophone and Band Cover Image

Kol Nidrei, Op. 47 for Alto Saxophone and Band: Concert Band Conductor Score & Parts

By Max Bruch, ed./arr. by Makio Kimura

Item: 36-10160269

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Description
Kol Nidrei (Oh! Day of God) Adagio for Violoncello and Orchestra, on Hebrew melodies, op. 47 has always been a favorite of cellists and was composed in 1880-1881. The work was transcribed for Alto Saxophone by Makio Kimura for the Tokyo Kosei Windorchestra, conducted by Frederick Fennel.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
SKU: 36-10160269
Instrumentation: Alto Sax and Wind Ensemble

More about this title

About the Composer: Max Bruch

Max Bruch (1838, 1920) was a German Romantic composer who built his reputation on works that balanced structural clarity with deep emotional expression. While he composed four violin concertos, two cello concertos, and substantial orchestral works, Kol Nidrei remains his most performed piece, a testament to its ability to move listeners across centuries and concert halls.

Why we love this

Kol Nidrei carries the emotional weight of liturgical music into the concert hall without requiring specialized knowledge of its source material. Bruch's original conception for solo cello and orchestra translates beautifully to alto saxophone, where the instrument's warmth and expressive range capture the work's spiritual depth. Programming this piece signals to audiences that your band values repertoire with substance and historical significance.

What to expect

Kol Nidrei unfolds like a meditation, its opening rising and falling through gentle waves of sound before gradually building toward moments of quiet intensity. The harmonic language feels both timeless and intimate, creating space for the alto saxophone to express vulnerability and dignity in equal measure.

Who it's for

This arrangement suits advanced high school and college bands with a capable alto saxophonist who brings maturity and control to lyrical playing. Directors programming for audiences that appreciate concert music with literary or spiritual dimensions will find this work speaks authentically without condescension.

How to get the most out of it

  • Shape the opening phrase as a prayer rather than a performance: let the alto saxophone breathe naturally and resist the urge to rush toward climactic moments.
  • Balance the band's accompaniment so it supports rather than surrounds the solo line; the saxophone must remain the focal point throughout.
  • Attend to the work's harmonic shifts with care, particularly where Bruch modulates to unexpected tonal centers; these moments require precise intonation from the ensemble.
  • Treat rubato as a tool for deepening emotional connection, but establish clear ensemble reference points so the band stays with the soloist's expressive choices.

How to use it

This work serves beautifully as a closing piece for a concert, offering audiences a moment of reflection and catharsis. It pairs well with contemporary band works or alongside other Romantic-era transcriptions, creating programming that demonstrates the band's interpretive range.

Skills your students will build

  • Sustained legit tone production with dynamic nuance across the alto saxophone's full range
  • Phrasing longer melodic lines without relying on dramatic tempo changes
  • Listening and responding to harmonic movement, particularly unexpected modulations
  • Collaborative balance between soloist and ensemble
  • Expressive flexibility within a slow, reverent tempo

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