Knock On Wood (arr. Berty Rice) Sheet Music Preview

Knock On Wood (arr. Berty Rice): SSA Choral Octavo

As performed by Eddie Floyd / As performed by David Bowie / Arranged by Berty Rice

Item: 35-DS00213844

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00213844

More about this title

About the Artist: Eddie Floyd

Eddie Floyd wrote and recorded "Knock On Wood" in 1966, and the song became a cornerstone of soul music. His funky, rhythmic approach to songwriting influenced generations of musicians across R&B, rock, and pop. The track's infectious groove and clever lyrics have made it a standard that artists from David Bowie to Ami Stewart have reimagined, proving the enduring power of a well-crafted pop-soul composition.

Why we love this

Berty Rice's arrangement captures the irresistible energy of this classic while making it genuinely singable for SSA voicing. The rhythmic clarity and pop sensibility appeal to singers who might not connect with traditional choral repertoire, yet it demands real musicality and ensemble precision. Programming it signals that your choir values groove, contemporary culture, and the joy of singing songs people actually want to hear.

What to expect

Confident, funky, and fun. The arrangement has the swagger of the original but adapted for voices; it invites singers into a world of infectious rhythm, syncopation, and attitude. There's a lightness here, but never a lack of musicianship.

Who it's for

Choirs seeking contemporary pop and R&B repertoire that's substantial enough for a full concert yet accessible and engaging for students. Ensembles with strong rhythm section fundamentals will thrive with this arrangement; it rewards singers who understand how to sit in a groove.

How to get the most out of it

  • Nail the rhythmic cohesion first. This arrangement lives or dies on locked-in ensemble rhythm; work the syncopations and hit-and-release patterns before worrying about blend.
  • Let the accompaniment track anchor the groove. The recorded parts establish the pocket clearly, so resist the urge to over-conduct. Trust the singers to feel the rhythm through their ears.
  • Balance the spoken/rhythmic interjections in the syllables and ad-libs. They're fun, but they can muddy the texture if singers aren't precise about where they sit in the measure.
  • Emphasize the lyrical storytelling. Despite the funk groove, the song has narrative weight; singers should understand what they're saying and deliver the text with personality and intention.

How to use it

Drop this into a contemporary or pop-themed concert as an energizing standalone number, or pair it with other soul and R&B arrangements to create a set that speaks to modern musical culture. It works equally well as a concert closer that leaves audiences smiling or as a program opener that sets a fun, confident tone for the evening.

Skills your students will build

  • Rhythmic independence and syncopation in SSA texture
  • Singing with groove and pocket rather than metronomic precision
  • Balancing rhythmic interjections and ad-libs without muddying ensemble clarity
  • Interpreting contemporary pop and R&B style authentically
  • Sustaining energy and ensemble integrity across multiple dynamic and textural shifts

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