Kiss The Sky (from The Wild Robot) (arr. Roger Emerson): 2-Part Choral Octavo

Roger Emerson's arrangement captures the soaring optimism of Morris's original while making it accessible for developing choirs. The 2-part voicing balances singability with genuine harmonic interest, and the pop-inflected melody sits naturally in the voice without requiring extensive range.

Inspirational without being heavy-handed, this piece radiates quiet confidence and forward motion. The melody soars with genuine uplift while the harmonies ground the singers in something honest and present.

Choirs working at the intermediate level who want contemporary material with emotional depth. This arrangement appeals equally to secular ensemble programs and to directors seeking bridge repertoire between pop and choral traditions.

• Keep the opening phrases intimate and grounded; let the arrangement build rather than front-loading energy.
• Shape longer note values with slight dynamic curves to maintain momentum through sustained sections.
• Blend the two parts from the outset so the harmony feels unified rather than two separate melodies competing for attention.

Include this on a concert celebrating film and television music, where it stands alongside other contemporary soundtrack arrangements. It also works as a powerful standalone feature that connects your choir to film storytelling.

• Singing contemporary melodies with legit phrasing and sustain
• Balance and blend in 2-part writing with independent harmonic movement
• Connecting emotional intent to vocal execution across a pop-influenced idiom