Kino Hits für Tenor Saxophon Cover Image

Kino Hits für Tenor Saxophon: Bb-flat Tenor Sax Book & CD

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Kino Hits für Tenor Saxophon Cover Image

Kino Hits für Tenor Saxophon: Bb-flat Tenor Sax Book & CD

12 Filmmusik Combo- & Orchester Play-alongs in Spitzen-CD-Qualität für Tenor Saxophon

By Vahid Matejko

Item: 00-20218G

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Description
Filmmusik hat ihren besonderen Reiz. Ihre eigentliche Aufgabe, die Stimmungen und Emotionen der bewegten Bilder zu verstärken, hat sich in vielen Fällen verselbstständigt. Vielen Filmmusik-Komponisten ist es gelungen, eigenständige Kino Hits zu erschaffen, die auch unabhängig von den jeweiligen Filmszenen, für die sie geschaffen wurden, fungieren. Mit der vorliegenden Ausgabe haben wir eine attraktive Auswahl solcher " Kino Hits" getroffen, die alle auch für sich große Erfolge waren.Die vorliegenden Play-alongs der " Kino Hits"-Reihe geben Nachwuchs-Musikerinnen und -Musikern die Möglichkeit, mit echten Musikern zusammenzuspielen und nicht mit programmierten Sounds aus der Konserve. Die meisten Play-alongs wurden "live" von einer Jazz- und Rock-Combo eingespielt, einige andere von einem Orchester. Als Solisten konnten wir einige der gegenwärtig hochkarätigsten, deutschen Musiker für diese Produktion gewinnen, die die beiliegende CD zu einem Spiel- und Hörgenuss machen.
Titel: As Time Goes By (aus: Casablanca) * In Dreams (aus: Der Herr der Ringe) * Gonna Fly Now (Rocky) *Hogwart's Hymn (aus: Harry Potter) * I'm Singin' in the Rain (aus: Singin' in the Rain) * Winter Wonderland (aus: Winter Wonderland - The Movie) * James Bond Theme (aus: James Bond jagt Dr. No) * Ghostbusters (aus: Ghostbusters) * I Don't Want To Miss A Thing (aus: Armageddon) * Pink Panther (aus: Der rosarote Panther) * Star Wars (aus: Der Krieg der Sterne) * Miss Marple (aus: Agatha Christie 16:50 ab Paddington).

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Additional Details
Series: Kino Hits
Publisher: Alfred Music
Page Count: 44
ISBN10: 3-94-363850-2
ISBN13: 978-3-943638-50-9
SKU: 00-20218G
Instrumentation: B-flat Tenor Saxophone

More about this title

Why we love this

Film scores that work as standalone pieces are rare enough; finding twelve of them arranged specifically for tenor saxophone with live accompaniment is rarer still. Matejko's collection pairs instantly recognizable melodies with genuine ensemble recordings, making this a resource that keeps students engaged because they're playing real music they actually want to hear themselves play.

What to expect

Playing alongside orchestral and jazz-rock arrangements of music you know from the screen is instantly rewarding. These melodies have emotional weight and narrative power built in; your job is to sit into their grooves and let their familiarity work for you rather than against you.

Who it's for

Tenor saxophonists in the intermediate to upper-intermediate range who want to play repertoire beyond classical etudes and method books. Ensemble directors looking for accessible jazz and rock-influenced solos that motivate young players while building their stylistic range.

How to get the most out of it

  • Balance your tone against the accompaniment by listening actively to the ensemble's dynamic shape rather than playing at a constant volume throughout each piece.
  • Pay attention to the style shifts across the collection. Rocky and Star Wars demand driving energy, while As Time Goes By and In Dreams require rubato and space; use the recorded soloists as your interpretive guide.
  • Lock into the rhythm section early in each track. The live musicians respond to small timing shifts, so establish your groove confidently in the first phrase.
  • Mark phrase endings and breathing points during your first listen through the CD; these are often slightly different from classical phrasing conventions in film arranging.

How to use it

Feature these pieces at casual concert settings, community events, or pops concerts where audiences recognize the repertoire immediately. They also work beautifully as demonstration material in jazz or film music units, showing students how the same tune can live in multiple musical worlds.

Skills your students will build

  • Playing over live ensemble accompaniments with accurate rhythm and responsiveness to tempo changes
  • Shifting stylistic approach between jazz, rock, orchestral, and lyrical idioms
  • Phrasing and interpretation using recorded soloist performances as models
  • Balancing solo voice with accompanimental texture
  • Reading and executing multiple arranging conventions within a single collection

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