King of Level Cross Sheet Music Preview

King of Level Cross: Concert Band Conductor Score & Parts

By Michael Oare

Grade: 1

Item: 35-PK00415195

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$45.00

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Description
The title for this thrilling work for young players comes from the small rural town of Level Cross, North Carolina, which is home to one of America's sports royal families: the legendary racing Petty family. Using the 'King of NASCAR' as motivation for the work, "The King of Level Cross" combines the imagery of medieval knights and royalty with the thrill of stock car racing - including a victory lap at the end of the piece! Dur: 2:25

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00415195

More about this title

About the Composer: Michael Oare

Michael Oare

Michael Oare has spent over three decades shaping young musicians as Director of Bands at Great Bridge Middle School in Chesapeake, Virginia, where his ensembles earned superior ratings for 32 of his 33 years, including 30 consecutive years at the grade 3 and 4 level. His work as a composer and arranger has reached thousands of student musicians; two of his pieces appear in GIA Publications' influential "Teaching Music Through Performance" series, and he remains active as a conductor, adjudicator, and performer with the Virginia Wind Symphony.

Oare earned degrees in both composition and music education from Old Dominion University and holds membership in ASCAP and Phi Beta Mu. Recognized as the 2016 Chesapeake Public Schools' Middle School Teacher of the Year and twice recipient of the National Band Association's Citation of Excellence, he currently conducts the Bay Youth Orchestras of Virginia Concert Band, serving students across southeastern Virginia and northeastern North Carolina.

Why we love this

Oare taps into genuine student interest by anchoring this piece in a real place and real people, making the medieval royalty imagery feel earned rather than generic. The narrative arc (medieval court to stock car finale, complete with victory lap) gives young bands a clear story to inhabit, which translates into more engaged playing and better phrasing. At grade 1, the writing respects what beginning ensembles can accomplish while never condescending to them.

What to expect

The piece pulses with controlled excitement, moving from stately medieval processional into the kinetic energy of a roaring crowd and screaming engines. The victory lap finale lets students feel what it means for music to accelerate and build toward triumph without requiring advanced technique.

Who it's for

First-year band students and their directors who want to teach ensemble concepts within a context that actually interests teenagers. This works equally well for a fall concert opener or a spring program closer.

How to get the most out of it

  • Balance the fanfare sections so they feel regal without losing clarity; young brass players often sacrifice articulation when playing loudly. Emphasize clean attacks and precise cutoffs.
  • The victory lap finale rewards ensemble listening. Work the accelerando in sections so the band hears itself speeding up together, not just watching the conductor.
  • Keep rhythmic precision crisp in the racing imagery passages. Grade 1 players often rush when excited, so establish a confident tempo and use the recording to anchor the pulse if needed.

How to use it

Pair this as your concert opener to set an energetic, accessible tone, especially if you're programming for families and community members who may not attend classical concerts regularly. It also serves as an excellent finale if your program has a lighter theme or if you want audiences to leave with a smile.

Skills your students will build

  • Ensemble blend and balance between sectional families
  • Responding to conductor tempo changes and accelerandos
  • Sustaining tone quality through dynamic extremes (soft fanfares to powerful racing passages)
  • Articulation clarity under varying dynamic contexts
  • Following a narrative arc through music, connecting imagery to phrasing choices

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