Keys to Success: Ear Hustles - Warm-Ups for Beginning Band: Concert Band Conductor Score & Parts
Warm-Ups for Beginning Band
By Brian Bankston
Grade: 1.5
Item: 98-PK-RWS2115
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Original Item#: RWS-2115-00
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About the Composer: Brian Bankston
Brian Bankston has built a reputation for understanding what beginning band students need to sound their best. His pedagogical approach balances technical skill-building with musical engagement, recognizing that warm-ups set the tone for the entire rehearsal.
Why we love this
This is the warm-up routine that actually works. Eight focused exercises fit neatly into one page, so you're not hunting through materials or burning rehearsal time on setup. Bankston balances the technical work (range extension, finger patterns, scale passages) with genuine musicality, closing with a chord and chorale exercise that trains ears and intonation from day one.
What to expect
Purposeful and efficient. Each exercise builds on the last, moving from isolated technical work into collaborative sound-making. The shift from individual challenges to ensemble chorale feels natural, not forced, and by the end your band has warmed up muscles, ears, and hearts together.
Who it's for
Beginning band directors who need a streamlined daily warm-up that builds both technical chops and ensemble blend without eating up rehearsal time. Works equally well for fall, winter, and spring programs where you're managing mixed experience levels within the same band.
How to get the most out of it
- Establish a steady pulse before the long tones begin. Your ensemble will lock in faster if everyone hears the tempo clearly from the downbeat.
- Pause between exercises to let students reset and breathe. These eight challenges ask a lot in quick succession, so brief silence between them prevents fatigue and keeps focus sharp.
- Use the closing chorale to spotlight balance issues. If the sopranos are drowning out your lower voices, this final exercise exposes it immediately and gives you a platform to fix it.
- Rotate which section leads the long tone exercises. When clarinets carry the first long tone, they own the sound quality for that moment. When it shifts to trumpets or low brass, ownership shifts too, and accountability spreads across the band.
How to use it
Begin every rehearsal with this routine for consistent results. The single-page format means no hunting for materials, and the eight-exercise structure fills roughly five to seven minutes, leaving your full block for repertoire work. You can also use it as a sectional opener when you're splitting the band for focused parts rehearsal.
Skills your students will build
- Long tone control and breath support across the full range
- Low and high register extension
- Finger dexterity and scale pattern fluency
- Chord recognition and tuning within harmonic structures
- Ensemble balance and intonation listening
- Basic phrasing and musical shape in a group setting