Kerfuffle Cover Image

Kerfuffle: Percussion Ensemble Score & Parts

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Kerfuffle: Percussion Ensemble Score & Parts

By Vince Gassi

Level: Medium-Difficult

Item: 81-PE1932

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Description
On your mark...get set...rotate! Wait, what? That's right, rotate! In this piece, percussionists physically move to other positions onstage to play different instruments (and try to stay in the right place musically). The vibraphone player moves to play bells, xylophone to timpani, and congas to cymbals. As if the concept of players and mallets-in-motion isn't challenging enough, the time signature constantly changes. Unless executed with precision, this piece could turn into one giant Kerfuffle!

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Additional Details
Publisher: Eighth Note Publications
ISBN10: 1-77157-671-5
ISBN13: 978-1-77157-671-0
UPC: 685462026722
SKU: 81-PE1932

More about this title

About the Composer: Vince Gassi

Vince Gassi

Vince Gassi has built a prolific career as a composer, conductor, and educator, publishing over 100 works since joining Alfred Music in 2006. His training spans the University of Western Ontario, the Dick Grove School of Music in Los Angeles, and a Ph.D. from York University in Toronto, combining rigorous classical study with deep experience in arranging and composition pedagogy.

For a quarter century, Gassi has taught instrumental music at the K-12 level while maintaining an active schedule as a guest conductor, clinician, and adjudicator across North America. His work is known for balancing musical substance with student engagement; pieces regularly appear on international concert and contest programs, and his seminars on creative problem-solving and digital workflows have shaped how many directors approach rehearsal and composition.

Why we love this

Kerfuffle demands your ensemble's focus in ways that transcend typical percussion writing. The rotating stations force musicians to practice spatial awareness and ensemble control simultaneously, turning a logistical challenge into a teaching moment about precision and communication. Between the constant meter shifts and the physical choreography, this piece becomes memorable for everyone in the room.

What to expect

Controlled chaos with a sense of humor. The piece maintains groove and pulse despite its structural trickiness, creating an energetic, slightly unpredictable character that keeps audiences engaged. There's playfulness underneath the technical demands.

Who it's for

Medium-difficult percussion ensembles ready to tackle both musical and logistical complexity. This works best with groups that have solid fundamentals and enough maturity to manage the coordination demands without losing focus.

How to get the most out of it

  • Run a full dress rehearsal with all station changes before the concert. The movement matters as much as the sound, so practice the traffic flow until players can execute transitions without losing the beat.
  • Map out the rotation sequence visually with your ensemble during sectional rehearsals. Use colored tape or a diagram so each player knows exactly which instrument comes next and where.
  • Anchor the meter changes by having rhythm section players count or speak the patterns aloud during early rehearsals. Once internal security improves, remove the scaffolding.
  • Front-load your rehearsal time on the challenging meter transitions rather than the station changes themselves. The movement is intuitive once the rhythmic foundation is solid.

How to use it

Place this as a spring concert feature or finale when your ensemble has had time to rehearse rotations without pressure. It pairs well with more straightforward percussion work earlier in the program, giving audiences a satisfying contrast and a memorable closing statement.

Skills your students will build

  • Reading and executing rapid time signature changes (multi-meter fluency)
  • Spatial coordination and ensemble awareness while moving between instruments
  • Mallet control across different percussion instruments during a single performance
  • Communication and synchronization without conductor eye contact during transitions
  • Maintaining rhythmic integrity through physical movement and stage positioning

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